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video:
Weepin' Mary
Scores
for mixed choir (SATB)
https://www.sheetmusicplus.com/title/20703236?aff_id=175705
for men's voices (ATBarB)
https://www.sheetmusicplus.com/title/20703235?aff_id=175705
Based on an anonymous manuscript arrangement of this old spiritual, found ... moreScores
for mixed choir (SATB)
https://www.sheetmusicplus.com/title/20703236?aff_id=175705
for men's voices (ATBarB)
https://www.sheetmusicplus.com/title/20703235?aff_id=175705
Based on an anonymous manuscript arrangement of this old spiritual, found by a member of our singing group back in the 1990s.
Another member of our singing group (Jill Mitchell) wrote the words for the second verse.
This is my own performance (as the multitrack choir dwsChorale)
1. If there's anybody here like weepin' Mary
Call upon your Jesus and he'll draw nigh
If there's anybody here like weepin' Mary
Call upon your Jesus and he'll draw nigh
Oh glory, glory Hallelujah
Glory be to my God who rules on high
[traditional]
2. "they have stole away my Lord" said weepin' Mary
"And I know not where they have laid him down"
"Yes they've stole away my Lord" said weepin' Mary
"And I know not where they have laid him down"
"Oh Mary!" "Is it you Rabboni?"
Jesus here is risen and dies no more.
[Jill Mitchell] less
group:
Mandskoret av 1914
Mandskoret is a remarkably vigorous 100 year old male chorus, and is Haugesund (Norway) oldest choir.
Mandskoret of 1914 are a group of adult, personable men who like to sing, from the experienced to the new singers.
Mandskoret av 1914
Mandskoret e... moreMandskoret is a remarkably vigorous 100 year old male chorus, and is Haugesund (Norway) oldest choir.
Mandskoret of 1914 are a group of adult, personable men who like to sing, from the experienced to the new singers.
Mandskoret av 1914
Mandskoret er en usedvanlig sprek 100 åring, og er Haugesund eldste mannskor.
I Mandskoret av 1914 er vi en gjeng med voksne, omgjengelige menn som liker å synge
– fra de rutinerte, til helt nye sangere.
Mannskor mer enn bare sang
Det handler om opplevelser knyttet til deltakelse, måten vi tar vare på hverandre og den spesielle sosiale aktiviteten. Mannskor favner mer om kvaliteten i musikkaktiviteten, enn kanskje den musikalske kvaliteten. Mannskor er også en viktig bærer av solide tradisjoner i vårt samfunn. Korsang er videreføring av tradisjon.
Korsang er en verdifull aktivitet som fremmer livskvalitet.
Mannskorsangen er en meningsfull aktivitet som gir helsemessige gevinst. Korsang er helsefremende, og livskvaliteten forbedres som følge av følelsesmessig invo... less
video:
Palmetto voices
A performance of "Deep River" (arr. Luboff) by Palmetto voices (Sonja Sepulveda, conductor) with the Worship in Music Chamber Orchestra (George Gregory Hobbs, conductor) during the 2013 ACDA National Conference in Dallas, Texas.
video:
TU ES MON AUTRE - voices, Choeur de Jeunes
voices, à l'école du choeur ...
Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous...
Encadrés par une équipe de pédagogues professionnels, le... morevoices, à l'école du choeur ...
Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous...
Encadrés par une équipe de pédagogues professionnels, les différents choeurs de l'association voices bénéficient d'une formation vocale, chorale et scénique.
Direction musicale : Julie Gibergues.
www.voicesleschoeurs.com
A voir également : "Le temps qui court" (2011)
video:
Magnificat for men's voices and organ (with subtitles)
Composed by David Warin Solomons
www.dwsolo.com
Conductor: Pad Zoltán
Performed by:
Countertenors
Csapó József, Bárány Péter, Gavodi Zoltán.
Tenors
Fodré Lajos, Pivarcsi Gábor, Decsi András
Basses
Horváth Csaba, Silló György Béla, Melkovics Z... moreComposed by David Warin Solomons
www.dwsolo.com
Conductor: Pad Zoltán
Performed by:
Countertenors
Csapó József, Bárány Péter, Gavodi Zoltán.
Tenors
Fodré Lajos, Pivarcsi Gábor, Decsi András
Basses
Horváth Csaba, Silló György Béla, Melkovics Zoltán
Organist
Tabajdi Ádám
video:
Funky voices @ Brownstock Festival 2014
Funky voices @ Brownstock Festival 2014
Would you like to join or book the Funky voices Choir Experience?
www.funkyvoices.co.uk
07834 765 473
@funkyvoices
group:
Chai-Town
Chai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. they wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-T... moreChai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. they wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-Town A Cappella.
Last year we performed at the a cappella competition Anahat, in Berkeley, CA, as a guest act at the dance competition Naach Nation, in New York, NY, and across the Midwest. As 2012 approaches, our group will be reaching its 10th anniversary and putting out our THIRD studio album!
Chai-Town is a completely student-run, non-profit group of 16 members, each of whom has a passion for music. We love sharing this passion with our friends and family, our community, and the world. less
video:
O bone Jesu by Manolo Da Rold
Wheaton College Men's Glee Club
Mary Hopper conductor
excerpt from the
Choral Showcase Concert
Wheaton College Women's Chorale & Men's Glee Club
Mary Hopper, conductor
Wheaton College Concert Choir
John William Trotter, conductor
April 17, 2021
video:
the Message of Christmas an evangelical song for 2 or 4 voices
Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas.
This is not typical of my usual style, but it's an interesting excursion into the
evangelical music of mid-70s Oxford, where I ... moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas.
This is not typical of my usual style, but it's an interesting excursion into the
evangelical music of mid-70s Oxford, where I was studying.