Skladbe: Manolo Da Rold: VI ADORO & Luc Jakobs: HOSANNA FILIO David otpjevao je Schola cantorum Umjetničke akademije u Splitu, u okviru manifestacije Dani kršćanske kulture A.D 2015.,u Crkvi Gospe od zdravlja 28.03.2015. Dirigentica: SARA DODIG BAUČIĆ ...  moreSkladbe: Manolo Da Rold: VI ADORO & Luc Jakobs: HOSANNA FILIO David otpjevao je Schola cantorum Umjetničke akademije u Splitu, u okviru manifestacije Dani kršćanske kulture A.D 2015.,u Crkvi Gospe od zdravlja 28.03.2015. Dirigentica: SARA DODIG BAUČIĆ Umjetnički voditelj: BLAŽENKO JURAČIĆ Soprani: Petra Božulić, Mirjana Dedić, Franciska Ećim, Ana Ivković, Iva Ivković Alti: Katarina Akrap, Mariana Bešker, Marija Jurić, Antea Mrečela Tenori: Jerko Kolovrat, Ante Pupačić, Krešo Šimić Basi: Ante Jurić, Toni Kulić, Martin Markanović, Ivan Vuletić Zabilježio: Boris Vidović Help us caption & translate this video! http://amara.org/v/GWNj/  less

Hofstra Chamber Choir performing the first movement of Per Nørgård's Wie ein Kind, "Wiigen-Lied" David Fryling, Conductor Alex Schirling and Allison Lindsay, sprechsTimme Cathedral of the Incarnation, April 2012

The Choir was first formed in 1962 as Aberystwyth Post Office Gleemen under the direction of James Morse. During the forty plus years of its lifeTime it has benefited from the leadership of four further conductors, David Griffiths, Margaret Maddock, Len W...  moreThe Choir was first formed in 1962 as Aberystwyth Post Office Gleemen under the direction of James Morse. During the forty plus years of its lifeTime it has benefited from the leadership of four further conductors, David Griffiths, Margaret Maddock, Len Williams, and our present Director of Music, Carol Davies. The choir has travelled widely over the years with tours in Europe, United States and Canada besides engagements throughout Wales and England. Our concert venues have varied from village halls to national auditoria and great cathedrals. In the Eisteddfod field we have won two National first prizes plus several seconds and others. In 2002 we celebrated our 40th anniversary with a sell-out concert in the 1000 seat Great Hall in Aberystwyth. One of the Choirs highlights was performing with the Central Band of the RAF at the Mayflower theatre Southampton and before Princess Beatrice of the Netherlands as part of a joint concert of a 1000 Welsh and Dutch voices. The choir has sung at the Albert Hall London and...    less

The Choir of Somerville College, Oxford David Crown (conductor) Basilica di San Marco, Milan 27 June 2010 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Conductor's Website: http://www.David-crown.com

No. 4: The Sword of Erin (Air: "Cruachan na feine" / "The Finian Stronghold") from Six Irish Folksongs, Op. 78 Arr. by C.V. Stanford, Words by T. Moore CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Br...  moreNo. 4: The Sword of Erin (Air: "Cruachan na feine" / "The Finian Stronghold") from Six Irish Folksongs, Op. 78 Arr. by C.V. Stanford, Words by T. Moore CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera House / Ball Room December 14, 2013  

Choir and orchestra of BachWerk Conducted by David Miller Sunday 8 December 2013 German Protestant Church of Brussels

"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had serv...  more"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had served in the Canadian forces, in one of the most dangerous roles, as a runner in northwestern France. This song honours his memory and the love that he showed me as a boy and a young man growing up. Shortly after starting this piece, I then learned that my dear cousin Jamie Shaw (1959-2019) was gravely ill and with his permission, I have dedicated this piece to him as well. Jamie's courage, good spirit and humour throughout his illness was an inspiration to all of us who knew him. "Da pacem Domine" is a musical search for peace: both external peace, between individuals, groups, societies, nations; and internal peace, to find a restful spot within the soul, amidst the serious tensions and conflicts seemingly inherent in the human stream of existence. It explor...    less

Cat.Not: TKM713. A best-selling setting of these famous words from the melodious pen of Peter Thompson which is suitable for SAB or STB choirs. Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - ...  moreCat.Not: TKM713. A best-selling setting of these famous words from the melodious pen of Peter Thompson which is suitable for SAB or STB choirs. Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please contact mail@Timknightmusic.com for more info! See what other specialist services we offer (including commissions, singing holidays, choir and concert management workshops and composition courses) at www.Timknightmusic.com. In the UK, all Tim Knight Music is distributed by and can be ordered through Spartan Press quoting the catalogue number on 01528 544770 http://www.spartanpress.co.uk/ or via www.Timknightmusic.com shop page. Some pieces are also available via https://www.musicroom.com/. Those without a ‘TKM’ prefix can be ordered directly from the publisher’s website – please contact mail@Timknightmusic.com if you are having trouble sourcing this piece. In the USA and overseas, you can order direct from the publisher, via www.Timknightmusic.com...    less

"Let's sing, it's Spring!" is dedicated to my uncle and aunt, James and Daphne Shaw, and their amazing clan, the "Bowen Island Shaws." I have given this song the sub-title: "A Crazy Choral Etude for Rolled Rs and Perfect 5ths." It is meant, no pun inte...  more"Let's sing, it's Spring!" is dedicated to my uncle and aunt, James and Daphne Shaw, and their amazing clan, the "Bowen Island Shaws." I have given this song the sub-title: "A Crazy Choral Etude for Rolled Rs and Perfect 5ths." It is meant, no pun intended, to be a musical lark, great fun for a choir to sing, rolling Rs like crazy, with no holding back. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called "The Ottawa Four Seasons Suite." "Let's sing, it's Spring!", with its rousing coda section, works perfectly as the closing number of this suite. Also of note, in early 2018, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "Let's sing, it's Spring!" was one of the pieces that this amazing choir sight read for me on the sp...    less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in Time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 Time would create a better sense of that feeling, ra...    less