Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène ...  moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano). Référence : Nathalie Biarnés. (2012). Ave Maria. Éditions À Cœur Joie. N° 5137. Paroles : Ave Maria, gratia plena dominus tecum Benedicta tu in mulieribus ; Et benedictus fructus ventris tui, Jesus ! Sancta Maria, Mater Dei, Ora pro nobis, peccatoribus, Nunc, et in ora mortis nostræ. Traduction : Je vous salue, Marie pleine de grâces ; Le Seigneur est avec vous. Vous êtes bénie entre toutes les femmes. Et Jésus, le fruit de vos entrailles, est béni. Sainte-Marie, mère de Dieu, Priez pour nous, pauvres pécheurs, Maintenant et à l'heure de notre mort. Amen.  less

Live 4° Internationale Festtage geistlicher Chormusik in Rottenburg am Neckar Cantoria Sine Nomine (Castelnuovo, Italy) conductor Carlo Andriollo

Recorded on January 10th, 2011.Trahe Me Post Te, Virgo Maria, by Francisco Guerrero (1528-1599). CONTINUUM is the newest and most dynamic early music ensemble on the UK classical music scene. Under the collaborative leadership of top producer and dir...  moreRecorded on January 10th, 2011.Trahe Me Post Te, Virgo Maria, by Francisco Guerrero (1528-1599). CONTINUUM is the newest and most dynamic early music ensemble on the UK classical music scene. Under the collaborative leadership of top producer and director Adrian Peacock, the internationally renowned expert in Spanish early music Bruno Turner, and bass-baritone Jamie W. Hall, CONTINUUM brings together twelve of the finest professional consort singers in London, carefully chosen to produce a unique and vibrant sound that celebrates the very best qualities of the English choral tradition and the powerful beauty of the uninhibited human voice. This all-male ensemble has made 16th century Spanish sacred polyphony and chant the core of its repertoire, and seeks to perform this wonderful music at the original, sonorous low pitch as it would have been heard in Spanish cathedrals and religious institutions during Spain's "Golden Age". Follow us on Facebook - www.facebook.com/CONTINUUMuk Follow us on Twitter ...    less

Versión del Coral de Cámara de Rosario, dirigido por Elio Alejandro Allegra, en el XVI Festival de Coros de Cámara de Rosario (2007).

piano: Vinka Račić A part of the choir's winning performance at 56th Croatian Youth Music Festival held in May 2013 in Varaždin. contact: www.facebook.com/m.marulic.choir m.marulic_choir@yahoo.com

Performed by ENSAMBLE VOCAL DE TENERIFE Conductor: Antonio Abreu Lechado Email: ensamblevocal.ct@gmail.com

www.facebook.com/emacadiz @emacadiz www.emacadiz.es Solista: InDia Thorp Piano: Felipe Barbosa Bustos Director: Antonio Hernández Asencio Oh! Freedom, Oh! Freedom, Oh! Freedom over me But before I’d be a slave I’ll be buried in my grave ...  morewww.facebook.com/emacadiz @emacadiz www.emacadiz.es Solista: InDia Thorp Piano: Felipe Barbosa Bustos Director: Antonio Hernández Asencio Oh! Freedom, Oh! Freedom, Oh! Freedom over me But before I’d be a slave I’ll be buried in my grave And go home to my Lord and be free and be free No more runnin’, no more runnin', no more runnin' over me No more cryin', no more cryin', no more cryin' over me No more shooting, no more shooting, no more shooting over me  less

www.emacadiz.es Poema: Mario Benedetti. Música: Alberto Favero Si te quiero es porque sos mi amor mi cómplice y todo y en la calle, codo a codo, somos mucho más que dos. Tus manos son mi caricia, mis acordes cotiDianos, te quiero porq...  morewww.emacadiz.es Poema: Mario Benedetti. Música: Alberto Favero Si te quiero es porque sos mi amor mi cómplice y todo y en la calle, codo a codo, somos mucho más que dos. Tus manos son mi caricia, mis acordes cotiDianos, te quiero porque tus manos trabajan por la justicia. Tu boca que es tuya y mía, tu boca no se equivoca. Te quiero porque tu boca sabe gritar rebeldía. Si te quiero es porque sos mi amor mi cómplice y todo y en la calle codo a codo somos mucho más que dos Y por tu rostro sincero y tu paso vagabundo y tu llanto por el mundo porque sos pueblo te quiero. Te quiero en mi paraíso, es decir que en mi país la gente viva feliz aunque no tenga permiso Si te quiero es porque sos mi amor mi cómplice y todo y en la calle codo a codo somos mucho más que dos Tus ojos son mi conjuro contra la mala jornada. Te quiero por tu mirada que mira y siembra futuro Y porque amor no es aureola ni cándida moraleja y porque somos pareja ...    less

This was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Orga...  moreThis was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Organist of Leeds Parish Church and the Singers' regular accompanist. Ave Maria, gratia plena, dominus tecum et benedicta fructus ventris tui, Jesus. Sancta Maria, Mater Dei, ora pro nobis, nunc et in hora mortis nostrae, ora pro nobis peccatoribus. Amen. [Translation: Hail Mary, full of grace, the Lord is with thee. Blessed art thou, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen] Simon Lindleys setting of the Angelic Salutation, Ave Maria, was devised for the Choir of Leeds Parish Church in the late 1970s and has since achieved widespread performance by choirs throughout the English-speaking world. The work has been recorded and broadcast many times and was chosen to ...    less