OMNES Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia musical y música contemporánea, ...  moreOMNES Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia musical y música contemporánea, entre otros. Sus últimas presentaciones fueron hechas en 2009. Grabación realizada en Toluca en 1998. Integrantes: Miguel Ángel Angulo, tenor I. Jorge García-Fajardo, tenor II. Armando Becerra, barítono. Javier Martínez-Ramírez, bajo. Director: Mtro. Jorge García-Fajardo. Correo: giorgiopipo@hotmail.com  less

Recorded on December 21, 2015, in the Parish Church of the Annunciation in Supetar, Croatia. www.facebook.com/m.marulic.choir m.marulic_choir@yahoo.com recording and production: Bernard Kahle - b.kahle@yahoo.com www.facebook.com/BKrecordings

The Salt Lake Vocal Artists perform "Los Mareados" by Juan Carlos Cobián/arr. by Liliana Cangiano live in concert on October 31, 2010 in la iglesia de San Jorge, Santurtzi, Spain, under the direction of Dr. Brady Allred. Los Mareados was performed as par...  moreThe Salt Lake Vocal Artists perform "Los Mareados" by Juan Carlos Cobián/arr. by Liliana Cangiano live in concert on October 31, 2010 in la iglesia de San Jorge, Santurtzi, Spain, under the direction of Dr. Brady Allred. Los Mareados was performed as part of the Vocal Artists program for the Tolosa Choral Contest's "Musica Profana" category of competition, in which they were awarded First Prize. Soloist: Aimee Frederick Spain Tour: Oct. 23-Nov. 2, 2010 Los Mareados (Translation) Strange, as if lit up, I found you drinking, pretty and ill fated; You were drinking, and in the din of the champagne crazily you laughed, so as not to cry... Pity I felt at finding you because looking at you I saw your eyes shine with an electric fire, your beautiful eyes that I adored so much. Tonight, my friend, with alcohol we're getting drunk; I don't care if they laugh and call us "tipsy." Everyone has their sorrows and we have ours. Tonight we will drink because we won...    less

Live performance at the "Nacht der Jazzchöre" in June 2013 (Karlsruhe)

KCKCC The Standard performance and clinic at the 2016 JENerations Jazz Festival as a part of the Jazz Educators Network National Conference in Louisville, KY. Friday, January 8th at 10am. Clinicians are Rosana Eckert and Greg Jasperse. Arrangement by Britt Quentin.

The Vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfiel...  more The Vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield raves, “Octarium’s ability to change the nuance of their tone and timbre without disrupting the flow of the music enables them to pack their performances with riches without ever over-reaching for their effects.” At each presentation, Octarium offers the polished choral sonority and embodiment of the philosophy, “Eight Singers, One Voice” for which the ensemble has become well-known and respected. The Riverfront Times writes that the “eight members of Octarium go beyond raising their voices together in song; their voices warp and weave together, coalescing as a single instrument of tremendous power and depth. Octarium wields this might gracefully, never overpowering, opting instead to revel in the pliancy of the human voice.” In addition to a Kansas City...    less

Chacarera trunca mota Compositor: José "Pepe" Núñez/ Carlos Vallejos) Arreglo: Víctor “Pato” Gentilini Adaptación coral e instrumental: Carlos Andrés Aciar Vocal Dodici Camara Sopranos: Verónica Stiglich Mirta Suárez Leny Vis Erna Dibbern Contra...  moreChacarera trunca mota Compositor: José "Pepe" Núñez/ Carlos Vallejos) Arreglo: Víctor “Pato” Gentilini Adaptación coral e instrumental: Carlos Andrés Aciar Vocal Dodici Camara Sopranos: Verónica Stiglich Mirta Suárez Leny Vis Erna Dibbern Contraltos: Lucía Cavecchia Verónica Ruiz Moreno Julia Vassolo Tenores Carlos A. De Leo Omar Valetti Daniel Torres Bajos: Federico Amodeo Raúl Altieri Tomás Alonso Director: Carlos Andrés Aciar Instrumentos: Andrés Martínez, piano Facundo Medina, percusión Grabado en Cassette Biblioteca Pública Sarmiento Tres Arroyos, provincia de Buenos Aires Argentina Año 1988  less

Play It Forward presents Vocal workshops for choirs, singers & conductors with Internationally acclaimed Opera Singer & Voice Teacher LIANE KEEGAN. Open to all singers.  Tuesday 29th March from 6.30pm - 8.30pm – Narre Warren Thursday 31st Ma...

The " Capella de l ' Assumpció " are a group of coral chamber , which focuses on the interpretation of early Vocal music, from the XIII century to the XVII .

The Salt Lake Vocal Artists perform Dieu! qu'il la fait bon regarder! by Claude Debussy live in competition at the 42nd Tolosa Choral Contest on October 29, 2010 in the Teatro-Cine Leidor, Tolosa, Spain, under the direction of Dr. Brady Allred. This piec...  moreThe Salt Lake Vocal Artists perform Dieu! qu'il la fait bon regarder! by Claude Debussy live in competition at the 42nd Tolosa Choral Contest on October 29, 2010 in the Teatro-Cine Leidor, Tolosa, Spain, under the direction of Dr. Brady Allred. This piece was part of their program in the Musica Profana category for the Vocal Groups (max 16 singers) round of competition. The Vocal Artists were awarded First Prize in every category of competition they entered. Video courtesy of CIT Tolosa Choral Contest Dieu! qu'il la fait bon regarder! by Claude Debussy Translation: God! but she is fair, graceful, good and beautiful. All are ready to praise her excellent qualities. Who could tire of her? Her beauty is ever new. God! but she is fair, graceful, good and beautiful! Nowhere does the sea look on so fair and perfect a lady or maiden. Thinking on her is but a dream. God! but she is fair!  less