ONWARD WE GO Music by Thomas Hewitt Jones Words by Canon Gordon Giles The Children’s choir of St Stephen’s, Dulwich Caroline Lenton-Ward, conductor, with Oliver Lallemant (piano), Jill Valentine (viola), Jernej Albreht (clarinet), Joe Down...

Factum Arte Choir was formed in 2009, mostly by students trained in the Kodaly method of music instruction taught by her musical director and professor Katalin Hajnoczy, degree in music education, direction and piano by the Music Academy Ferenz Liszt (Hun...  moreFactum Arte Choir was formed in 2009, mostly by students trained in the Kodaly method of music instruction taught by her musical director and professor Katalin Hajnoczy, degree in music education, direction and piano by the Music Academy Ferenz Liszt (Hungary), and with a long career devoted to education in various places and educational institutions of Bizkaia and Gipuzkoa. Very high unpretentious music, the choir was created to provide coverage to the need to sing and further training of a group of friends singing around the figure of his teacher. The time spent on the trials is very low in comparison to a standard chorus but over the years has drawn new members, has taken on challenges in terms of repertoire, has been federated, offers concerts by the municipalities of Biscay, and share their work in exchanges with other choirs in and out of Euskadi. Since the beginning of his career have enjoyed the cooperation of Garbiñe Abendaño as a teacher of vocal technique.  less

Arranged by Masashi Fujimoto UNION CHAPEL VOICES--------------- CLAUDINA EDWARDS, DEBBIE CHARLES, ANNA-LIISA DONATELLA, OGO AJALA, PIANO: REINA OKADA With technical problems, the video recorder has stopped. So only audio and still pic after 01...  moreArranged by Masashi Fujimoto UNION CHAPEL VOICES--------------- CLAUDINA EDWARDS, DEBBIE CHARLES, ANNA-LIISA DONATELLA, OGO AJALA, PIANO: REINA OKADA With technical problems, the video recorder has stopped. So only audio and still pic after 01:45​. sorry.  

Une chanson de Julien Joubert chanté par le Choeur d'enfants Sotto Voce à la Salle Gaveau en mai 2008. Dirigé par Scott Alan Prouty et au piano Richard Davis. www.sottovoce.fr

"The Ssssnake Hotel" for S (or optional SSA) and piano after a text by Brian Moses. It was commissioned by the Europa Cantat Festival 2015 in Pécs, Hungary for one of the ateliers. It was premiered by the excellent Hungarian children's choir Lautitia and ...  more"The Ssssnake Hotel" for S (or optional SSA) and piano after a text by Brian Moses. It was commissioned by the Europa Cantat Festival 2015 in Pécs, Hungary for one of the ateliers. It was premiered by the excellent Hungarian children's choir Lautitia and the kids loved it. It has been published by Carus-Verlag and you can find more info and a sample score here: https://www.carus-verlag.com/en/choir/secular-choral-music/cyrill-schuerch-the-ssssnake-hotel-oxid.html and also order Through here: http://www.sheetmusicplus.com/title/the-ssssnake-hotel-sheet-music/20101060  less

Performed by Universitair Koor Antwerpen at their Spring Concert "Evolution Of Music" on May 10, 2016. Piano: Peter Jeurissen Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen, Jordan De Deken Sound: Johan De Cock

Performed by Universitair Koor Antwerpen at their Christmas concert "A Midwinter Night's Dream" on December 13-14, 2016. Piano: Peter Jeurissen Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen Sound: Johan De Cock

for Three-Part Treble Chorus with English Horn and Piano Vocaal Ensemble Kerkrade, Live 5-10-2013

On Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat re...  moreOn Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat repetitive, but as the day progressed to the early afternoon I found that I was also inspired (I even missed lunch!). The piece varies in mode from D Dorian to A Aeolian. The performance is by me (multi-tracking).