A cute version of Boogie Woogie Bugle Boy, sung by me, multi-tracking as the dwsChorale

Traditional Basque carol arranged by Edgar Pettman Sung by the dwsChorale www.dwsolo.com Sing lullaby! Lullaby baby, now reclining, Sing lullaby! Hush, do not wake the Infant King. Angels are watching, stars are shining Over the place where he i...  moreTraditional Basque carol arranged by Edgar Pettman Sung by the dwsChorale www.dwsolo.com Sing lullaby! Lullaby baby, now reclining, Sing lullaby! Hush, do not wake the Infant King. Angels are watching, stars are shining Over the place where he is lying: Sing lullaby! Sing lullaby! Lullaby baby, now a-sleeping, Sing lullaby! Hush, do not wake the Infant King. Soon will come sorrow with the morning, Soon will come bitter grief and weeping: Sing lullaby! Sing lullaby! Lullaby baby, now a-dozing, Sing lullaby! Hush, do not wake the Infant King. Soon comes the cross, the nails, the piercing, Then in the grave at last reposing: Sing lullaby! Sing lullaby! Lullaby is the babe awaking? Sing lullaby! Hush, do not stir the Infant King. Dreaming of Easter, gladsome, morning, Conquering death, its bondage breaking: Sing lullaby!  less

Composed by Thomas Weelkes (1576-1623) Sung here by the dwsChorale (just verse 1) Four arms, two necks, one wreathing, Two pair of lips, one breathing. Fa la la la la la. Two hearts that multiply Sighs interchangeably. Fa la la la la la. Image...  moreComposed by Thomas Weelkes (1576-1623) Sung here by the dwsChorale (just verse 1) Four arms, two necks, one wreathing, Two pair of lips, one breathing. Fa la la la la la. Two hearts that multiply Sighs interchangeably. Fa la la la la la. Images: Two lovers at St Pancras station (London) dwsChorale  

Choral arrangement of Cole Porter's Let's Do it performed by the dwsChorale (i.e. David Solomons multitracking)

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Anthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Composed by William Mathias, transposed and sung by the dwsChorale (www.dwsolo.com) Nowell, nowell. Who is there that singeth so, I am here, Sir Christèmas. Welcome, my lord Sir Christèmas! Welcome to all, both more and less! Come near, come nea...  moreComposed by William Mathias, transposed and sung by the dwsChorale (www.dwsolo.com) Nowell, nowell. Who is there that singeth so, I am here, Sir Christèmas. Welcome, my lord Sir Christèmas! Welcome to all, both more and less! Come near, come near, come near, Nowell, nowell. Dieu vous garde, beaux sieurs, Tidings I you bring: A maid hath borne a child full young, Which causeth you to sing: Nowell, nowell. Christ is now born of a pure maid, Born of a pure maid; In an ox-stall he is laid, Wherefore sing we at a-brayde: Nowell, nowell. Buvez bien, buvez bien Par toute la compagnie. Make good cheer and be right merry, and sing with us now joyfully Nowell, nowell  less

A performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ muri...  moreA performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ murie sing cuccu Cuccu cuccu Wel singes þu cuccu ne swik þu nauer nu Sing cuccu nu Sing cuccu. Sing cuccu Sing cuccu nu Summer has arrived, Loudly sing, cuckoo! The seed is growing and the meadow is blooming, and the wood is coming into leaf now, Sing, cuckoo! The ewe is bleating after her lamb, The cow is lowing after her calf; The bullock is prancing, The billy-goat farting Sing merrily, cuckoo! Cuckoo, cuckoo, You sing well, cuckoo, Never stop now. Sing, cuckoo, now; sing, cuckoo; Sing, cuckoo; sing, cuckoo, now!  less

Score (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  moreScore (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less