This is the national anthem for the micronation of Rheinbergen (the length of the river Rhine). The text was written by Gerard, Fürst von und zu Rheinbergen in collaboration with Rheinbergen's Court Composer David Warin Solomons, who wrote the music. It...  moreThis is the national anthem for the micronation of Rheinbergen (the length of the river Rhine). The text was written by Gerard, Fürst von und zu Rheinbergen in collaboration with Rheinbergen's Court Composer David Warin Solomons, who wrote the music. It is very grand and rousing music with just a little pomposity. The performance here is by the Budapest Scoring Choir under Péter Illenyi.  

WATCH REMASTERED VERSION: https://youtu.be/518rM2QP-sM PREMIERE PERFORMANCE lyrics: Ana Vrdoljak (1833-1869) A part of the concert held on August 8th 2013 in Tribunj (Croatia) during the first edition of "Papandopulijana Tribunj", a festival whic...  moreWATCH REMASTERED VERSION: https://youtu.be/518rM2QP-sM PREMIERE PERFORMANCE lyrics: Ana Vrdoljak (1833-1869) A part of the concert held on August 8th 2013 in Tribunj (Croatia) during the first edition of "Papandopulijana Tribunj", a festival which has been initiated in the honour of Boris Papandopulo (1906-1991), one of the greatest Croatian composers. Papandopulo composed "Pozdrav Zori dalmatinskoj" on August 1st 1976 in Opatija (Croatia). Written in 1844 by Ana Vrdoljak, a poetess from Imostski (Croatia), the lyrics of this song date back to the times of Illyrian movement, celebrating the launching of the magazine "Zora dalmatinska", a literary and educational weekly issued in Zadar, thus being the first Croatian literary magazine to be issued outside Zagreb (from 1844 to 1849). The song was published on the cover of the No. 44 of the magazine, issued on October 28th 1844.  less

Performed by Sandnes musikkskoles ungdomskor (SMUK) in a CD recording from 1995 labelled "Feel good med SMUK". The choir has since then changed it's name to today's VIVA, Sandnes Kulturskolekor corresponding to the school changing it's name.

to my daughter Kayla, in recognition of her H.S. Graduation - May 2009 music by Eric L. Carlson based on the poem "It's Up to You" - Anonymous Racine Unified School District's Area Choral Festival March 25, 2010 - J.I. Case High School - Racine, W...  moreto my daughter Kayla, in recognition of her H.S. Graduation - May 2009 music by Eric L. Carlson based on the poem "It's Up to You" - Anonymous Racine Unified School District's Area Choral Festival March 25, 2010 - J.I. Case High School - Racine, WI Elizabeth Steege, conducting Eric Carlson, piano Suzanne Geoffrey, oboe Featuring: Case High School Concert Choir - Elizabeth Steege, director Gilmore Middle School Choir - Keri Bieri, director Gifford Elementary Choir - Jack Senzig, director It's DONE!! My friend Richard Sosa did an AMAZING job editing the video, and I am so thankful to him for his artistic gifts!! Thanks, Rich! I am also eternally grateful to all the choral directors in RUSD for choosing this song and to the kids for performing it so beautifully!! This video is from the Case Choral Fest, and I thank Liz Steege, Keri Bieri, and Jack Senzig for preparing the kids so well! I would also like to thank Ellen Christensen and her choirs for the great job they did on this song! ...    less

Music: Fanny Hensel-Mendelssohn (1805-1847) Arr.: Laura Jēkabsone Lyrics: Ludwig Heinrich Christoph Hölty Audio: Andris Ūze Video: Kaspars Teilāns Make Up- Ilona Zariņa Style by "Cita Rota" Latvian Voices concert program "Vox Femme"

Click here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multit...  moreClick here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 So this is a song that my jazz ensemble recently sung at competition. Jazz doesn't really fit my voice very well, but that doesn't change the fact that I'm in love with it. I also felt like this song would be the perfect opportunity to prove I don't use pitch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this with everybody you know. Like I said, no pitch correction was used (or will ever be used). This will most likely be the first and last vocal jazz piece I d...    less

This well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, w...  moreThis well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. The plainchant verses are sung by soprano Sarah Kelly, and the solo quartet (positioned remotely from the main choir) comprises soprano Julie Kilburn, alto Lucy Appleyard, tenor Jonathan Morrish and bass Quentin Brown. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recitals, concerts and services, may be found on our website www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of L...    less

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

Il coro che non c'è (formato da ragazzi provenienti dai cori dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da Dodo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria d...  moreIl coro che non c'è (formato da ragazzi provenienti dai cori dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da Dodo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria di Bepi De Marzi in occasione della rassegna corale "Not(t)e di Natale" organizzata dal gruppo corale Entropie Armoniche. Per le riprese si ringraziano Nora Schrenk, Vincenzo Pinna e Claudia Gili.  

The University Chorale performs Entreat Me Not to Leave You by Dan Forrest. Recorded May 2014. Dr. J. Steven Walker, conductor.