The Gale for SATB Chorus (divisi) and Piano or Chamber Orchestra Music by Stanley M. Hoffman Words by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Performed by From Age to Age Conducted by Peter J. Dur...  One';">moreOne;">The Gale for SATB Chorus (divisi) and Piano or Chamber Orchestra Music by Stanley M. Hoffman Words by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Performed by From Age to Age Conducted by Peter J. Durow Accompanied by pianist Joel Anderson Music © Copyright 2019 by IOne Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Used by permission. Words From the Polish poem Wicher (The Gale) by Abraham (“Abramek”) Koplowicz. Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliazer (“Lolek”) Grynfeld. All rights reserved. Used by permission of LolekGrynfeld, Sarah Lawson and MałgorzataKoraszewska. Artwork, Video, and Sound The recording of The Gale by From Age to Age used by permission. The photograph of Stanley M. Hoffman by Naomi F. Hoffman is freely Shareable. Photographs of members of the Koplowicz and Grynfeld families, and artwork by Abramek Koplowicz are courtesy of Lolek G...    One';">less

Fredrik Sixten: Den dagen för kör (SATB) Beställd av Kungliga Hovförsamlingen, Sverige, till lysningen den 17 maj 2015 för H.K.H Prins Carl Philip och Sofia Hellqvist

Cat.No.TKM824 A setting of this text commissiOned by Cadenza choir in East Yorkshire. Published in the UK by www.timknightmusic.com. Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please con...  One';">moreOne;">Cat.No.TKM824 A setting of this text commissiOned by Cadenza choir in East Yorkshire. Published in the UK by www.timknightmusic.com. Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please contact mail@timknightmusic.com for more info! Find out more about Award-winning Yorkshire Composer, Tim Knight and see what other specialist services we offer (including commissions, singing holidays, choir and concert management workshops and composition courses) at www.timknightmusic.com. Order this piece via our UK Distributors, Spartan Press (01528 544770 http://www.spartanpress.co.uk) or via any good book shop or online store such as https://www.musicroom.com or www.sheetmusicplus.com. Please contact mail@timknightmusic.com if you are having trouble sourcing this piece.  One';">less

for SATB Chorus (divisi) unaccompanied Traditional Prayer Sung in Hebrew Synthesized performance and scrolling score in search of live performances. Musical Composition: © Copyright 1994 by Stanley M. Hoffman. © Copyright 2010 revised. All righ...  One';">moreOne;">for SATB Chorus (divisi) unaccompanied Traditional Prayer Sung in Hebrew Synthesized performance and scrolling score in search of live performances. Musical Composition: © Copyright 1994 by Stanley M. Hoffman. © Copyright 2010 revised. All rights reserved. The sheet music is available from the composer and from oySongs.com.  

No divisi parts – suitable for a quartet. In English (BCP 1662) Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com There's a matching Magnificat setting on the way. Watch this space!

http://www.cpdl.org/wiki/index.php/Scott_Villard

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the One-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  One';">moreOne;">Robin Adair arranged for SATB choir (sung, transposed down in this video, by the One-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  One';">less

Dear friends  IMPORTANT MESSAGE FOR CHOIRS SINGING RENAISSANCE MUSIC!!Requiem Mass by Antonio Gallego (c.1530) (Spanish composer recently discovered!!)(SATB) (Also contains preliminary study) Available in digital edition PDF files. Ours is the onl...

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  One';">moreOne;">A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Dedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major...  One';">moreOne;">Dedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major” from \ The Well-Tempered Clavier, Book 1 (BWV 846, No. 1)