April 20, 2013 Cantores Celestes Women's Choir of Toronto. Directed by Kelly Galbraith. Second movement of Gabriel Fauré's Requiem - offertorium, with The Emperor String Quartet, William O'Meara on organ and featuring Justin Welsh, Baritone. Video ...  moreApril 20, 2013 Cantores Celestes Women's Choir of Toronto. Directed by Kelly Galbraith. Second movement of Gabriel Fauré's Requiem - offertorium, with The Emperor String Quartet, William O'Meara on organ and featuring Justin Welsh, Baritone. Video and Audio: Patric McGroarty www.stclarens.com additional editing: JA Stewart www.cantorescelestes.com  

Performed at St. Dominic's Church (San Francisco)Angelus is a women's ensemble dedicated to performing (mostly) sacred music. We go all the way back to 12th century music and slowly build up to more recent pieces like Sound of Silence and these pieces fro...  morePerformed at St. Dominic's Church (San Francisco)Angelus is a women's ensemble dedicated to performing (mostly) sacred music. We go all the way back to 12th century music and slowly build up to more recent pieces like Sound of Silence and these pieces from Michael McGlynn. We are located in Mt. Vernon, IN under the direction or Mr. Dana Taylor. If you would like to hear more, we are on iTunes and we also have a website: http://mvhsperformingarts.com/?q=node/409  

A new setting. Straightforward, text-driven, concise. No divisi – would suit a quartet. Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com

'Gloria' from 'Peace Mass' by Bob Chilcott from the album 'Wake Up in the Moonlight Singing' Cantores Celestes Women's Choir Kelly Galbraith, director Ellen Meyer, pianist www.cantorescelestes.com

A female a cappella performance by Wishful Singing is an exuberant journey packed with highlights and surprises. Five classically trained female singers combine their flexible voices and powerful stage presentation in their own unique way. Seemingly effor...  moreA female a cappella performance by Wishful Singing is an exuberant journey packed with highlights and surprises. Five classically trained female singers combine their flexible voices and powerful stage presentation in their own unique way. Seemingly effortless and simple, every gesture and every sound used to good effect, adventurous from beginning to end. The singers sang together in the Netherlands Youth Choir. They hit it off so well there that the ambition developed to continue together in female a cappella repertoire; a relatively rare genre very dear to the hearts of all five. The top quality displayed since by Wishful Singing – both aurally and visually – makes the ensemble unique in the world. The repertoire ranges from modest works from the Renaissance and Baroque eras to swinging versions of golden oldies such as Mister Sandman. The ensemble provides a full evening’s entertainment that leads the audience from one surprise to the next. The emotions summoned up vary from hushed poignancy to screams...    less

Sionna are a vocal trio based in Limerick, Ireland.The members of Sionna (shunna) met and studied on the banks of the River Shannon at the Irish World Academy of Music and Dance, where they benefited from a unique and diverse training in world song, Grego...  moreSionna are a vocal trio based in Limerick, Ireland.The members of Sionna (shunna) met and studied on the banks of the River Shannon at the Irish World Academy of Music and Dance, where they benefited from a unique and diverse training in world song, Gregorian chant, sean nós and medieval polyphony. The river Shannon is named for the Goddess Sionna, whose myth tells how she sought out the hazelnuts of wisdom, believed to contain éigse, the spirit of inspiration and creativity. Since their inception in 2012, Sionna have been privileged to share the stage with some of the best names in Irish music today.  less

April 20, 2013 Cantores Celestes Women's Choir of Toronto. Directed by Kelly Galbraith. First movement of Gabriel Fauré's Requiem - Introit et Kyrie featuring William O'Meara on organ and The Emperor String Quartet. Video and Audio: Patric McGro...  moreApril 20, 2013 Cantores Celestes Women's Choir of Toronto. Directed by Kelly Galbraith. First movement of Gabriel Fauré's Requiem - Introit et Kyrie featuring William O'Meara on organ and The Emperor String Quartet. Video and Audio: Patric McGroarty www.stclarens.com additional editing: JA Stewart www.cantorescelestes.com  

Emerald City Chorus Sweet Adelines International - local Wichita, KS chapter of SAI chartered in 2007. Presently 38 members strong and constantly looking to grow! Lead by two very talented directors we compete yearly at regional competition - 2014 will be...  moreEmerald City Chorus Sweet Adelines International - local Wichita, KS chapter of SAI chartered in 2007. Presently 38 members strong and constantly looking to grow! Lead by two very talented directors we compete yearly at regional competition - 2014 will be our first competition in a new region - #25 (to be held in Tulsa, OK). We also present an annual show!  

Cantores Celestes Women's Choir Kelly Galbraith ~ Director LIVE Dec 2, 2017 with Corina Chevalier and Tamieka Evans Kate Carver ~ piano Matthew Coons ~ organ Adanya Dunn ~ soprano Emperor Quartet: The Emperor Quartet Jef ten Kortenaar & Clare ...  moreCantores Celestes Women's Choir Kelly Galbraith ~ Director LIVE Dec 2, 2017 with Corina Chevalier and Tamieka Evans Kate Carver ~ piano Matthew Coons ~ organ Adanya Dunn ~ soprano Emperor Quartet: The Emperor Quartet Jef ten Kortenaar & Clare Pellerin, violins Kathleen Kajioka, viola Stephen Buck, cello www.cantorescelestes.com Dec 2, 2017  

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis