Kyrie Eleison is the 2nd movement of the Requiem Aeternam Pacem 9/11 composed by Diana Rutherford © 2011. Choir Aahs SATB, Flute, Violin and Cello. Please visit my website DianaRutherford.com for sheet music and contact information.

"Voz", de Ernesto Mateo, interpretado por el coro femenino del CSMC dirigido por Nikoleta Popova. Poema de Víctor Landeira. Imagen: "Reflection Nebula", por NASA y The Hubble Heritage Team (STScl)

Cantores Celestes Women's Choir Kelly Galbraith: Director Ellen Meyer: Pianist Matthew Coons: Organist Emperor String Quartet Christine McClymont: Recorder Lynette Evans: Percussion Colleen Jenkins: Percussion Laura Webster: Percussion www.cant...  moreCantores Celestes Women's Choir Kelly Galbraith: Director Ellen Meyer: Pianist Matthew Coons: Organist Emperor String Quartet Christine McClymont: Recorder Lynette Evans: Percussion Colleen Jenkins: Percussion Laura Webster: Percussion www.cantorescelestes.com http://www.facebook.com/CantoresCelestes http://www.youtube.com/user/cantorescelestes http://twitter.com/Cantores_Choir  

"Beautiful Yet Truthful", a folksong elaboration by Lloyd Pfautsch. Originally from "American Ballads and Folksongs" by John Lennox. Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Conc...  more"Beautiful Yet Truthful", a folksong elaboration by Lloyd Pfautsch. Originally from "American Ballads and Folksongs" by John Lennox. Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Ain't it fierce to be so beautiful, beautiful, So rarin' tearin' beautiful? Ain't it fierce to be so beautiful, beautiful, So rarin' tearin' beautiful? I ain't got no peace of mind Everybody is so awfully kind Outside of my door, they stand, stand, Waiting for my heart and hand Outside of my door, they stand, stand, Waiting for my heart and hand Almost every single hour Someone is sure to send me flowers Ain't it fierce to be so beautiful, beautiful? Ain't it fierce to be so beautiful? Ain't it fierce to be so brainy, brainy, So rarin' tearin' brainy? Ain't it fierce to be so brainy, brainy, Ain't it fierce to be so bra...    less

"Campana Sobre Campana" and "En Belén Tocan a Fuego" from "Carols and Lullabies: Christmas in the Southwest" by Conrad Susa. Recorded live on December 15, 2013, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the...  more"Campana Sobre Campana" and "En Belén Tocan a Fuego" from "Carols and Lullabies: Christmas in the Southwest" by Conrad Susa. Recorded live on December 15, 2013, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Harp: Charlene Conner, Guitar: Mindy Lofgren, Synth: Gayle Giese.  

"Benedictus" from "A Little Jazz Mass" by Bob Chilcott. Originally composed for the 2004 Crescent City Choral Festival in New Orleans. Recorded live on Sunday, December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by t...  more"Benedictus" from "A Little Jazz Mass" by Bob Chilcott. Originally composed for the 2004 Crescent City Choral Festival in New Orleans. Recorded live on Sunday, December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese, Percussion: Brad Peterson.  

Thomas Rossin conducts Jeffery Van's setting of Silent Night, Jake Rowan, Guitar.