A5 Ensemble vocal IL PRIMO LIBRO DE MADRIGALI A CINQUE VOCI, 1587 Claudio Monteverdi (1567-1643) Aníbal Soriano, archilaúd y tiorba Concierto en Sevilla, 10 de enero de 2016 Iglesia de San Alberto. Padres Pilipenses

The Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful pe...  moreThe Ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this Ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful performance opportunities, recordings and a touring program. Brisbane Birralee Voices is acknowledged on home shores and abroad as one of Australia's finest children's choirs. The program encourages young singers to develop their vocal technique and attain musical excellence and there is a strong focus on nurturing the individual in a broader sense. In addition to the excitement of achieving high artistic goals and the personal enrichment experienced by each member, there is an emphasis placed on the benefits of sharing their gift of music with others and the intrinsic value of music within society. This helps develop generosity of spirit, tolerance and acceptance of cultural diversity. They meet the demands of their performance and touring schedule by ha...    less

"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck'...  more"Das zerbrochene Ringlein" im Satz von Friedrich Silcher (* 27.06.1789 - † 26.08.1860) und Text von Joseph von Eichendorff (*10.03.1788 - † 26.11.1857) gesungen vom Leipziger Männerquintett Ensemble Nobiles am 31. Mai 2013 in der Leipziger Passage "Speck's Hof". http://www.Ensemblenobiles.de https://www.facebook.com/Ensemblenobiles --------------------------------------------------------------- TEXT (1., 2. und 5. Strophe): In einem kühlen Grunde da geht ein Mühlenrad; |: Mein' Liebste ist verschwunden, Die dort gewohnet hat. :| Sie hat mir Treu versprochen, Gab mir ein'n Ring dabei; |: Sie hat die Treu gebrochen, Mein Ringlein sprang entzwei. :| Hör ich das Mühlrad gehen, Ich weiß nicht, was ich will, |: Ich möcht am liebsten sterben, Da wär's auf einmal still. :|  less

Coro MOZART – Radioactive [Imagine Dragons][2014/12] [Concerto Adiemus] [Maestro: Dionísio Vila Maior] ----------- ----------- Ar. M. Brymer

St. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright s...  moreSt. Trinity Ensemble performs traditional christmas song "Away in a manger", arranged by Ola Gjeilo live in St Trinity Church in Podlehnik. Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning is nigh. Be near me, Lord Jesus; I ask thee to stay Close by me forever, and love me I pray. Bless all the dear children in thy tender care, And take us to heaven to live with thee there. *** Soloist: Taja Kolmanič Sound: Grega Žuraj & Damir Ovčar Video production, scenario & directed: Matjaž Feguš Asistent: Tomaž Rihtar Producer: Valerija Dukarić Art. director: Robert Feguš Thanks to Municipality of Podlehnik & St. Trinity Church in Haloze. http://trinityEnsemble.eu  less

La Asociación Musical Coro "SANTA MARÍA" de Coria del Río (Sevilla) junto a los amigos inscriptos como Alumnos Activos en el Taller Coral con Philip Lawson, interpretan: DOMINE DILEXI durante el Concierto celebrado el Domingo 6 de mayo de 2018, como claus...  moreLa Asociación Musical Coro "SANTA MARÍA" de Coria del Río (Sevilla) junto a los amigos inscriptos como Alumnos Activos en el Taller Coral con Philip Lawson, interpretan: DOMINE DILEXI durante el Concierto celebrado el Domingo 6 de mayo de 2018, como clausura del propio Taller Coral. Dirige: Philip Lawson, con Óscar Vicente al piano. Organiza: Coro "Santa María" y Ateneo Hispalense e Iberoamericano Colaboran: Convento Dominico de Santo Tomás (Sevilla)  

Lacrimosa, Anthony Sylvestre - prima esecuzione assoluta. Coro Vox Armonica di Savigliano, Direttore Sergio Daniele; Pianoforte, Andrea Vigna Taglianti; Violino Ronan, Rouxel. Estratto del Concerto di Capodanno organizzato dalle associazioni "Amici de...  moreLacrimosa, Anthony Sylvestre - prima esecuzione assoluta. Coro Vox Armonica di Savigliano, Direttore Sergio Daniele; Pianoforte, Andrea Vigna Taglianti; Violino Ronan, Rouxel. Estratto del Concerto di Capodanno organizzato dalle associazioni "Amici dell'Ospedale" e "Amici della Musica" di Savigliano, 1° gennaio 2020. Palazzo Taffini, Savigliano.  

CONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  moreCONCERT: Women Singing Women LOCATION: Cerimon House, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    less