Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

Coral Reyes Bartlet David Martel, piano Ricardo Rodríguez, recitado José Híjar Polo, director Castillo San Felipe Puerto de la Cruz 13 de julio de 2016, estreno del arreglo coral de las 12 Tonadillas al estilo antiguo Grabación: mediawink

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.

Promotional video detailing The Georgia Boy Choir. Video production and editorial by MONUMENTALmedia. For more information regarding The Georgia Boy Choir please visit www.georgiaboychoir.org

Stephen Layton Ian Bostridge Neal Davies Carolyn Sampson Iestyn Davies Nicholas Mulroy Roderick Williams Polyphony Orchestra of the Age of Enlightenment Adrian Peacock David Hinitt HYPERION RECORDS Release date: March 2013 Recording V...  moreStephen Layton Ian Bostridge Neal Davies Carolyn Sampson Iestyn Davies Nicholas Mulroy Roderick Williams Polyphony Orchestra of the Age of Enlightenment Adrian Peacock David Hinitt HYPERION RECORDS Release date: March 2013 Recording Venue: All Hallows, Gospel Oak, London, UK http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67901/2&vw=dc  

Coral Reyes Bartlet David Martel, piano José Híjar Polo, director Gala del Día, Indianas nº1, texto de Arturo Vázquez Iglesia de la Peña de Francia 1 de julio de 2015 Sonido y realización Mediawink

Song of summer for choir, cello and guitar based on the duo Summertime Rag by Chris Benson In the summertime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerti...  moreSong of summer for choir, cello and guitar based on the duo Summertime Rag by Chris Benson In the summertime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summertime we would run and sing enjoy all that the days could bring we would laugh and wintertime would seem a very distant thing but it couldn't last and the autumn came too quickly with its wind and rain ....  

including a short salute to "Lullaby of Birdland" Composer - George Shearing Lyrics - B. Y. Forster (George David Weiss)

Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less