Music composed by Kim André Arnesen Improvised piano by Toni Arnold Shreve

Being a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging t...  moreBeing a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging them in an area of music they were not used to! In this case, the areas we wanted to expose our members to were the ins and outs of recording in the studio, learning a technical piece using the written score and learning how to be aware of our presence while on video. We hope to provide more experiences like this to our members on NGGC. Enjoy!  less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

The Young Voices of Colorado perform "We Will Shine Like The Sun" at the Southwestern Region American Choral Director's Association Conference, Little Rock, Arkansas, March 4, 2020. Jena Dickey, director; Kimean Stucki, Collaborative Pianist; Tyson Repke,...  moreThe Young Voices of Colorado perform "We Will Shine Like The Sun" at the Southwestern Region American Choral Director's Association Conference, Little Rock, Arkansas, March 4, 2020. Jena Dickey, director; Kimean Stucki, Collaborative Pianist; Tyson Repke, percussion. Composer: Rich Campbell. This is the SAB arrangement. View Score here: https://www.swirlymusic.org/music/choral-music/rich-campbell-we-will-shine-like-the-sun-sab-piano/  

Agnus Dei Composer: Perry Rumengan The following video is a Virtual Video of the XVI National Student Pesparawi Choir presented by the Darma Cendika Catholic University Student Choir - Benedicamus Chante

PLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placeb...  morePLACEBO or Is There One Who Would Not Weep Stage concert in 14 tableaux Concept, scene and direction: Karmina Šilec Light design: Andrej Hajdinjak Costume design: Belinda Radulovič Movement: Karmina Šilec, Kaja Lorenci "The performance 'Placebo' is a brilliant prelude to the year of culture" "A highly stylised and aestheticized inscenation" (Večernji list) "An outstanding scenic Project in fourteen tableaux" "Karmina Šilec presented her latest and successful multimedia Project Placebo." "Karmina Šilec with her girls and excellent guests certainly knows what she is doing, what she wants, what they all know, what they can do and offer to a full Union Hall which rewarded the performers on Thursday night with long, warm and spontaneous applauses and ovations, suited to the days when the eyes of the whole of cultural Europe are focused on Maribor." "... the girls' Choir Carmina Slovenica extremely well prepared, as always." (Delo) "A magnificent closing performance of the third Choregie festiv...    less

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/In_paradisum_(Scott_Villard)

We very much hope that you enjoy our first ever Virtual concert. We are sad that we are currently unable to stage live concerts and engage professional musicians to play with us. These musicians, who are largely self-employed, have been especially hard ...  moreWe very much hope that you enjoy our first ever Virtual concert. We are sad that we are currently unable to stage live concerts and engage professional musicians to play with us. These musicians, who are largely self-employed, have been especially hard hit by the Covid-19 restrictions. For our next Virtual concert in the Spring we hope to employ some and we are seeking donations to help make that happen. In addition, 50% of your donations will be passed directly to Help Musicians Scotland, a charity providing help, support and opportunities to empower musicians at all stages of their lives. If you would like to donate please visit our JustGiving page: https://www.justgiving.com/fundraising/garletonsingerszoomintochristmas  less

Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène ...  moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano). En 2019, l’ensemble vocal à voix égales Para L’Elles, dirigé par Agnès Blin, commande à Nathalie Biarnés cette œuvre pour chœur et harpe, sur un poème de Sabine Sicaud. Elle est créée le 8 mars 2020, lors de ce premier concert dédié aux compositrices. Elle sera éditée aux "Éditions À Cœur Joie". Paroles : Amour, mon cher Amour, je te sais près de moi Avec ton beau visage. Si tu changes de nom, d'accent, de cœur et d'âge, Ton visage du moins ne me trompera pas. Les yeux de ton visage, Amour, ont près de moi La clarté patiente des étoiles. De la nuit, de la mer, des îles sans escales, Je ne crains rien si tu m'as reconnue. Mon Amour, de bien loin, po...    less