an class="view_more">Folk song from The Lepcha Tribe of The Himalayas, India for SAB and Tenor Solo and Maadal Arr. Virgil Sequeira Sung in Lepcha language. This song sings praises of The moTherland of The Lepchas around Their sacred mountain Kingtsoom Zaongboo Choo (...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Folk song from The Lepcha Tribe of The Himalayas, India for SAB and Tenor Solo and Maadal Arr. Virgil Sequeira Sung in Lepcha language. This song sings praises of The moTherland of The Lepchas around Their sacred mountain Kingtsoom Zaongboo Choo (Kanchenjunga) who calls on her children (The Lepchas) to respect her and Their traditions Soprano: Paola Granada Columba (Bolivia) Alto: Zuzanna Rybinska (Poland) Tenor Solo: Virgil Sequeira (India) Bass: Engelhardt #Unaeb (Namibia) maadal: Virgil Sequeira Recorded on The Singers of United Lands 2012 Tour of USA, Canada, Kenya, Zambia and Zimbabwe at Spartanburg, SC, USA April 2012  lessan>

"Ici Bas" is a song by Ivo antognini, based on a S.Prudhomme poem. Christmas' concert extract, December 17th 2006.

From our 2014 Lessons and Carols Candlelight Service. We are joined by guest vocalists Holly Ruth Gale (Assistant Professor of Music, ATU) and Adam Stanley (student, UCA). ~Premiere performance

an class="view_more">This version of "While Shepherds watched Their flocks by night", composed by D W Solomons, is based on The tunes On Ilkley Moor bah t'hat, Este's Psalter, Auld Lang Syne, Scotland The Brave and Sing a song of Sixpence. Three versions are available in s...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">This version of "While Shepherds watched Their flocks by night", composed by D W Solomons, is based on The tunes On Ilkley Moor bah t'hat, Este's Psalter, Auld Lang Syne, Scotland The Brave and Sing a song of Sixpence. Three versions are available in score form: While shepherds (G major ATBB) (The version sung in The video) http://dwsolo.musicaneo.com/sheetmusic/sm-196259_while_shepherds_watched_-_in_various_melodies_-_version_in_g_major_atbb.html While shepherds (C major SATB) http://dwsolo.musicaneo.com/sheetmusic/sm-196258_while_shepherds_watched_-_in_various_melodies_-_version_in_c_major_satb.html While shepherds (B flat major SATB) http://dwsolo.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies_-_version_in_b_flat_satb.html  lessan>

We are a newly formed ensemble of women's voices from Canterbury in Kent. Our repertoire ranges from classical motet to jazz and female barbershop. We perform on a regular basis across Kent and have on going partnership links with choirs in The UK and France.

an class="view_more">Poem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped The surly bonds of Earth and danced The skies on laughter-silvered wings; Sunward I’ve c...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Poem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped The surly bonds of Earth and danced The skies on laughter-silvered wings; Sunward I’ve climbed, and joined The tumbling mirth of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in The sunlit silence. Hov’ring There, I’ve chased The shouting wind along, and flung My eager craft through footless halls of air . . . Up, up The long, delirious burning blue I’ve topped The wind-swept heights with easy grace Where never lark, or ever eagle flew — and, while with silent, lifting mind I’ve trod The high untrespassed sanctity of space, Put out my hand, and touched The face of God. www.latvianvoices.lv  lessan>

an class="view_more">"TaReKiTa" composed by Renee Esmail Performed by voices of Concinnity Chamber Ensemble Recorded Live at First Church in Glastonbury, Connecticut on February 8, 2020 Singers: Erin Bartram, Samuel Beckwith, Liz Bologna, Kara Hart, Christopher Hartel...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">"TaReKiTa" composed by Renee Esmail Performed by voices of Concinnity Chamber Ensemble Recorded Live at First Church in Glastonbury, Connecticut on February 8, 2020 Singers: Erin Bartram, Samuel Beckwith, Liz Bologna, Kara Hart, Christopher Hartel, Sarah Kaufold, Brian Jones, Erica Maas Shippee, Daniel Pavone, Alex Walker, Jermaine Woodard, Jr., special guest: Spencer Hamlin Recording Engineer: Mackenzie Christiansen for more information please visit our website: ConcinnityCT.org -or- https://www.facebook.com/ConcinnityCT/ voices of Concinnity is sponsored by Consonare Choral Community who owns all rights to this live recording. Sync license acquired through Oxford University Press.  lessan>

an class="view_more">Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by The sleepy river mais le saule incliné toucherait de sa cîme l'eau But The bending willow would touch The water with its very...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by The sleepy river mais le saule incliné toucherait de sa cîme l'eau But The bending willow would touch The water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells The hours from The island where The night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in The grey of The water pressens dans la tour de bois ma demeure la folie I have a presentiment in The tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is The stuff of poetry.  lessan>

an class="view_more">Dedicated to my dear cousins Gigi and Raven. Since first singing The medieval song "All and Some" in The mid 1990s, I fell in love with The Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: ...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Dedicated to my dear cousins Gigi and Raven. Since first singing The medieval song "All and Some" in The mid 1990s, I fell in love with The Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: choirs interested in obtaining copies of The score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge The a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for Their musical inspiration These past 25 years. and with deepest appreciation to my broTher Adam Rain and my friend Geneviève Lajoie for Their invaluable support throughout my composing journey.  lessan>

Sung by The Chamber Choir of Warwickshire Young voices, written by David Iles. More information and score available from www.warwickshireyoungvoices.org