Voices: ChoralTracks www.cpdl.org/wiki/index.php/Tantum_ergo_II_(Scott_Villard)

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/A_child_is_born_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Weep_O_mine_eyes_(Scott_Villard)

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Jesu_dulcis_memoria_(Scott_Villard)

Vokollage is a student choir of the university in Eindhoven, the Netherlands, conducted by Donia Surowiec. In this video they sing an eight part a capella arrangement of a very famous Dutch folksong. The silver fleet (de Zilvervloot) was an annual con...  moreVokollage is a student choir of the university in Eindhoven, the Netherlands, conducted by Donia Surowiec. In this video they sing an eight part a capella arrangement of a very famous Dutch folksong. The silver fleet (de Zilvervloot) was an annual convoy of ships in the 16th and 17th centuries, in which valuables from the Spanish colonies in America were shipped to Spain. In the Netherlands, the silver fleet is best known for its conquest by Piet Hein in 1628. www.esmgquadrivium.nl/en/association/vokollage/ www.doniasurowiec.be  less

I Never Saw Music: Davide Riva (1989 - *) Text: Emily Dickinson (1830 - 1886) Mixed choir (SATB) | Composed for "Bormio Young Vocal Ensemble" All parts performed, recorded and mixed by Diego Ceruti I never saw a Moor I never saw the Sea Yet...  moreI Never Saw Music: Davide Riva (1989 - *) Text: Emily Dickinson (1830 - 1886) Mixed choir (SATB) | Composed for "Bormio Young Vocal Ensemble" All parts performed, recorded and mixed by Diego Ceruti I never saw a Moor I never saw the Sea Yet know I how the Heather looks And what a Billow be. I never spoke with God Nor visited in Heaven Yet certain am I of the spot As if the Checks were given  

choregie Project Vocal theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: L...  morechoregie Project Vocal theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: Lojze Lebič (1934): Fauvel ’86 Excerpts from the work Roman de Fauvel (1310 – 1314) Fortuna Won’t Be Fauvel’s Match! is based on a gothic allegorical verse romance in which the central metaphor for moral decay and decadence is an ambitious horse/ass. The main character – Fauvel – is an incarnation of sin, irrationality, unreliability, dominance, flattery. Fortuna Won’t Be Fauvel’s Match! mocks human egotism, hedonism, hypocrisy and excesses of the governing classes, of secular as well as church rule, a society contaminated by sin and corruption. The ruling class is despotic and greedy, forgetting about the natural equality of people. Man through politics/the church is a symbol of everything that is wrong with our society and the system which administers it. Thi...    less

    Support the Nashoba Valley Chorale in performing Guiseppe Verdi's Messa da Requiem, with full orchestra and soloists, on April 23, 2016     About this Project The Nashoba Valley Chorale performs the Verdi ...

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Puer_nobis_nascitur_(Scott_Villard)

Ensemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Moris...  moreEnsemble vocal Para L'Elles. Concert du 8 mars 2020 dédié aux "Compositrices du XVIe au XXIe siècle", en la chapelle Sainte-Thérèse de Montmagny (95). Direction : Agnès Blin. Harpe : Adélaïde Legras. De gauche à droite : Harim Kim (soprano), Antoine Morise (contre-ténor), Hélène Perrin (soprano), Agnès Leclercq (alto), Victoria N’Zingoula (mezzo) et Carine Carpentier (soprano). Référence : Vittoria Aleotti. Cor mio perche pur piangi. Première édition : dans Ghirlanda de madrigali, no. 6, 1593. Adaptation pour SSAA par Agnès Blin (2019). Cette pièce interroge l’origine de la douleur et des larmes. Paroles : Cor mio, perchè pur piangi, A che ti struggi, Se alla tua pena inusitata e nuova Rimedio non si trova? Io piango che il mio pianto Non è sì duro, sì pungente e forte Che mentre io piango tanto Non faccia ai miei martir pietosa morte. Poco sarìa la doglia Se ad ogni suo desire L’uom potesse morire Ma ve’l sostiene in vita e in questa spoglia Acciò più lungo sia nostro languire.  less