Europäischer Kammerchor Köln e.V. Die Ursprünge des Europäischen Kammerchores liegen beim internationalen Chorleitungskurs in St. Moritz (Schweiz) im Jahre 2003. Seitdem treffen sich die engagierten Chorsängerinnen und -sänger aus Deutschland und den eu...  moreEuropäischer Kammerchor Köln e.V. Die Ursprünge des Europäischen Kammerchores liegen beim internationalen Chorleitungskurs in St. Moritz (Schweiz) im Jahre 2003. Seitdem treffen sich die engagierten Chorsängerinnen und -sänger aus Deutschland und den europäischen Nachbarstaaten mehrmals im Jahr in Köln zu konzentrierten Probenphasen, in denen anspruchsvolle Chorprogramme erarbeitet und dem Publikum vorgestellt werden. Dabei widmet sich der Chor immer wieder gern jenen Kleinodien des unbegleiteten Gesanges, die in Kirche und Konzertsaal seltener zu hören sind, ohne dabei die großen Werke vergangener Epochen außer Acht zu lassen. Entsprechend umfasst das Portfolio der Sängergemeinschaft beispielsweise neben nahezu vergessenen Perlen der romantischen A-cappella-Literatur auch mehrere Aufführungen der Bach‘schen Johannes-Passion, Uraufführungen von Michael Ostrzyga und Harald Weiß sowie zahlreiche Werke der neueren und neuesten Chormusik. Nicht zuletzt die Freude am Auskosten des Spannungsfeldes zwischen alter und...    less

Below is the English translation by the poet, please turn the Closed Captioning on for best experience. Time drifts on between each breath for you and I When your destination arrives, have your dreams gone to rest? Body and mind worn out between each...  moreBelow is the English translation by the poet, please turn the Closed Captioning on for best experience. Time drifts on between each breath for you and I When your destination arrives, have your dreams gone to rest? Body and mind worn out between each sunset and sunrise When calamity strikes, would then your heart return home? As one act after another plays out, unfamiliarity of nonexistence Seeking and searching, how to link pearls on a broken string? How to sing the missing notes? If tomorrow were your next life How would you spend your day today? If tomorrow were your next life How would you spend your day today? Use warmth to safeguard life from within Let each wave leave its trace behind Use mindfulness to protect wellbeing Let the wheel of life be given light Translator: Lindsay Chang / Tiffany Hsu Conductor: Meng-Hsien PENG Pianist: Nai-Chia WANG Audio Recording Engineer: Chao-Hui WANG Performance: Müller Chamber Choir Performed at National Concert Hall, Taipei, Taiwan 9 J...    less

MidAtlantic Chamber Choir Jason C. Tramm, Conductor Isaac Hayward, Assistant Conductor/Rehearsal Pianist Soprano Sabina Kunze Samantha Lax Paige Porter Alto Tee Crincoli Samantha Ferrara Cornelia Lotito Tenor Rider Foster, Za...  more MidAtlantic Chamber Choir Jason C. Tramm, Conductor Isaac Hayward, Assistant Conductor/Rehearsal Pianist Soprano Sabina Kunze Samantha Lax Paige Porter Alto Tee Crincoli Samantha Ferrara Cornelia Lotito Tenor Rider Foster, Zachary Morehouse Bass Michael Alworth Christian Arencibia Peter Lamendola Recorded: April 20, 2024 at Broadway Presbyterian Church (Manhattan) ---------------------------------------------  

The Inspira Chamber Choir (formerly Calgary Youth Chorus) performs the Canadian folksong "Un Canadien Errant" arranged by Mark Sirett in competition at the 10th Golden Gate International Choir Festival. Berkeley, CA, USA

The Inspira Chamber Choir (formerly Calgary Youth Chorus) performs William Byrd's Ave Verum Corpus in competition at the 10th Golden Gate International Choral Festival's Historical & Folk Category. Berkeley, CA, USA.

The Inspira Chamber Choir (formerly Calgary Youth Chorus) performs two movements from Stephen Chatman's "Due West" in competition at the 10th Golden Gate International Choir Festival. Berkeley, CA, USA. Movements Featured: I. Train III. Sunset

Soprano solo: Natali Boğosyan Double bass solo: Arda Ardaşes Agoşyan Arr. and Dir.: A.A. Agoşyan

"The Divine Image" by Jonathan Adams, text by William Blake. Performed by the Lee University Chamber Choir, Cameron LaBarr, conductor

University of Utah Chamber Choir sings "Neckereien, Op. 31, No. 2" by Johannes Brahms in the Libby Gardner Concert hall for their Fall 2012 Concert, Directed by Doctoral Student Sonja Sperling, accompanied by Jared Pierce

The fifth movement of my Requiem as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. "Do not stand at my grave and weep, I am not there; I do not sleep. . ." Lacrimosa