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video:
Why Does Choral Music Sound So Good?
Choral music is currently going through a renaissance with hundreds of professional and amateur choirs singing all across the world. But what makes the sound, and in particular the sound of a professional group, so appealing? In this essay, I look at the ... moreChoral music is currently going through a renaissance with hundreds of professional and amateur choirs singing all across the world. But what makes the sound, and in particular the sound of a professional group, so appealing? In this essay, I look at the science behind the notes to find out why Choral music sounds so good.
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FURTHER READING
Choral Phonetics -
when vowels control the intonation [Wolfgang Saus]: https://www.oberton.org/wp-content/uploads/ws-Choral-Phonetics-vh-2.pdf
CHOIRS FEATURED IN THIS VIDEO
Tenebrae Choir: https://www.tenebrae-choir.com/
Voces8: https://voces8.com/
Illuminare Choir: https://www.youtube.com/watch?v=LnDCENlgvXo
The Choir of Westminster Abbey: https://www.westminster-abbey.org/worship-music/music/the-abbey-choir-and-musicians/the-choir
The Kingdom Choir: https://ki... less
video:
evening morning day | Radcliffe Choral Society
"evening morning day" by David Lang. Text from the Book of Genesis 1.
Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University. Director: Beth Willer.
... more"evening morning day" by David Lang. Text from the Book of Genesis 1.
Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University. Director: Beth Willer.
The composer writes: "I wanted to make a piece about the creation story but I didn't want to highlight one religion's or culture's narrative over another."
"It was important for me to try to find something universal, something present in all stories, or common to all cultures. I hit upon the idea of making a kind of checklist of everything that needed to be created to get the world to this point, without each individual culture's stories or myths or exoticisms. I went back to the first chapter of Genesis, to see what I could get out of my own culture's story, and I stripped away all the descriptions, adjectives, connectors and motivators. All that is left of Genesis in my text are the nouns, leaving a dispassionate list of everything created, in the order in ... less
video:
Tristis Est Rehearsal
Kantorei Choral Ensemble in rehearsal. Tristis Est Anima Mea by Juan Gutierrez de Padilla. www.kantoreikc.org
video:
Goshu Ondo Suite by Eri Yamamoto - The Making of a World Premiere
In Fall 2018, New York's Choral Chameleon Chorus collaborated with jazz pianist and composer Eri Yamamoto, to bring to life 'Goshu Ondo Suite', her new, hour-length piece for choir and jazz trio.
Listen to Eri Yamamoto and Choral Chameleon's Artistic D... moreIn Fall 2018, New York's Choral Chameleon Chorus collaborated with jazz pianist and composer Eri Yamamoto, to bring to life 'Goshu Ondo Suite', her new, hour-length piece for choir and jazz trio.
Listen to Eri Yamamoto and Choral Chameleon's Artistic Director Vince Peterson discussing the project, with footage from the November 2018 premiere at the Paul Taylor Dance Company Studios.
The event culminated in a dance party encore with audience and choir dancing together! After a simple lesson in the Obon dance from Shiga prefecture in Japan, the audience danced to a reprise of the final movement by the choir and trio.
The live performance recording of Goshu Ondo Suite will be released by Aum Fidelity label.
Pre-Order from October 1st 2019, release date November 15th 2019. less
blog:
Artistic Director for Laurea Mundi Budapest Part1
An internationally recognized, Kodály-certified Choral director, Henry Leck is a professor emeritus and recently retired director of Choral activities at Butler University in Indianapolis, Indiana. He is Founder and Artistic Director of the I...
group:
CORÍN EM MIERES
Over 50 members. Founded by its conductor Reyes Duarte.