Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

This video clip was taken during St Peter's Singers of Leeds' recital of sacred choral music given on Monday 28th October 2013 at the magnificent Iglesia Parroquial de Transfiguracio del Senyor, Arta as part of the choir's 2013 Tour of Mallorca. The Sin...  moreThis video clip was taken during St Peter's Singers of Leeds' recital of sacred choral music given on Monday 28th October 2013 at the magnificent Iglesia Parroquial de Transfiguracio del Senyor, Arta as part of the choir's 2013 Tour of Mallorca. The Singers are directed by Alan Horsey and the organist is David Houlder. More information about St Peter's Singers, including details of forthcoming concerts, recitals and liturgical performances, may be found on the Singers' website: http://www.stpeters-singers.org.uk on the Facebook page 'St Peter's Singers of Leeds': https://www.facebook.com/StPetersSingersOfLeeds You can also follow the Singers on Twitter @SPSLeeds https://twitter.com/SPSLeeds  less

Hildegard von Bingen (1098/1179): O Ignee Spiritus Ensemble In Contrà Voci soliste: Alessia Bongiorno, Jessica Lot, Silvia Tubiana direttore: Roberto Brisotto Live recording 3.8.2018 Chiesa di San Giacomo - Bargi (Camugnano) - BO Festival "Voci ed...  moreHildegard von Bingen (1098/1179): O Ignee Spiritus Ensemble In Contrà Voci soliste: Alessia Bongiorno, Jessica Lot, Silvia Tubiana direttore: Roberto Brisotto Live recording 3.8.2018 Chiesa di San Giacomo - Bargi (Camugnano) - BO Festival "Voci ed organo dell'Appennino 2018"  

http://soundcloud.com/caum http://www.youtube.com/CAUM09 morehttp://soundcloud.com/caum http://www.youtube.com/CAUM09 http://www.facebook.com/CoroAcademicoUM  

IN PARADISUM Musica Vocal Ensemble Union Hall Maribor Season 2010 Urška Forštnarič - soprano Sanja Muzek - soprano Eva Barbara Vilčnik - alto Lučka Kovačec - alto Marko Horvat - baritone Žiga Arbeiter - bass Jože Arbeiter - bass Kristijan Šmi...  moreIN PARADISUM Musica Vocal Ensemble Union Hall Maribor Season 2010 Urška Forštnarič - soprano Sanja Muzek - soprano Eva Barbara Vilčnik - alto Lučka Kovačec - alto Marko Horvat - baritone Žiga Arbeiter - bass Jože Arbeiter - bass Kristijan Šmid - tenor Robert Feguš - tenor, conductor https://www.youtube.com/user/musicaensemble http://www.musicaensemble.org  

Swara Vocal Ensemble - Ivan Yohan, conductor From the online edition of "Ciudad Sin Sueño" concert, 2021. Link to watch the full concert: https://youtu.be/3D7XiHWbXa4 Recorded at the Church of Our Lady and Saint Peter, Ghent. ELIAS Recording

Ottawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes....  moreOttawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie  

PREMIERE "Ave Musica" Choir (Ukraine) exclusively performs "Libera Me" by contemporary composer Anthony Sylvestre. Conductor - Sergey Savenko Odessa, Ukraine. March 23, 2013 www.avemusica.com.ua facebook.com/AveMusicaChoirUkraine

Emil Cossetto: Čardaš Pjevački zbor Sveučilišta u Pečuhu dirigentica: dr. sc. Antoaneta Radočaj-Jerković Kazališno-koncertna dvorana Ivana Brlić Mažuranić, Slavonski Brod 2022.