Mixed choir «Saluto» (Lithuania, Kaunas); Karl Jenkins "The armed man: a mass for peace" III. Kyrie The Museum Hall of Kaunas IX Fort, 2012.06.14, Lithuania Kaunas Symphony Orchestra. Martynas Kliučininkas, descant Conductor Ramutė Štreimikytė

VIew_more">An excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. in Flanders Fields by John McCrae in Flanders fields the poppies blow Between the crosses, row on row, That mark our p...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">An excerpt from movement III of my Requiem performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. in Flanders Fields by John McCrae in Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie in Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow in Flanders fields. photos courtesy of FreeFoto http://www.freefoto.com/index.jsp  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">All-Night VIgil, Op.37 (Rachmaninoff) - The Giovanni Consort, with guest conductor Carl Crossin. This is a recording of The Giovanni Consort's performance of Sergei Rachmaninoff's 'All-Night VIgil' on Saturday 24th August, 2013 in the Church of the Res...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">All-Night VIgil, Op.37 (Rachmaninoff) - The Giovanni Consort, with guest conductor Carl Crossin. This is a recording of The Giovanni Consort's performance of Sergei Rachmaninoff's 'All-Night VIgil' on Saturday 24th August, 2013 in the Church of the Resurrection, Swanbourne. Carl Crossin, director of the Adelaide Chamber Singers, was the guest conductor for this performance. Michael Grebla (YouTube: GreblaMusic) proVIded this audio-VIsual recording. The Giovanni Consort is based in Perth, Western Australia, and is one of the city's most accomplished chamber choirs. The Consort is comprised of a group of 12 core singers each of whom are experienced musicians, with many having studied (or currently studying) music at university and several others singing professionally around Perth. in addition to presenting stunning performances of sacred and secular choral music from the Renaissance right through to the present day, the Consort also acts as a training ground for aspiring conductors, composers and profes...    VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">The East Central University Chorale performing "III. She Tells Her Love While Half Asleep", the third of Morten Lauridsens "Midwinter songs" cycle. Recorded at the Holy Family Cathedral in Tulsa, Oklahoma. January 26, 2001. Dr. J. Steven Walker, Con...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">The East Central University Chorale performing "III. She Tells Her Love While Half Asleep", the third of Morten Lauridsens "Midwinter songs" cycle. Recorded at the Holy Family Cathedral in Tulsa, Oklahoma. January 26, 2001. Dr. J. Steven Walker, Conducting Dr. Dennis Boe, Piano  

"Symphony of Psalms" de Igor Stravinsky I-III Coro del Conservatorio Superior de Música de Canarias Piano: Nauzet Mederos Directora: Nikoleta Steafanova Popova

Música: Rodolfo Halffter - Texto: Miguel de Cervantes Coro de Filosofía y Letras de la UBA Director, Andrés Aciar

VIew_more">Motet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, VIolin Frédéric Rosselet,...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Motet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, VIolin Frédéric Rosselet, VIoloncello VIcente Chavarria, harpsichord, Artistic Director Soloists: Amelia Tobiason, soprano Katina Mitchell, soprano Antona Yost, alto Ryan Tani, tenor Joel Nesvadba, bass From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">Coral Reyes Bartlet Amerike Ensamble OliVIa Pehme, Marcos Depetris, VIolín Paula Hernández, cello Juan Carlos Baeza, contrabajo DaVId Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto E...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Coral Reyes Bartlet Amerike Ensamble OliVIa Pehme, Marcos Depetris, VIolín Paula Hernández, cello Juan Carlos Baeza, contrabajo DaVId Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de NaVIdad Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  

VIew_more">VokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether si...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">VokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether singers or related to other areas of music or those who, despite having another occupation, have a solid musical background and an extense vocal and choral experience. The unique sonority of a female group of singers, usually a capella, has been widely explored throughout the history of music by many composers from all times, both male and female. Examples of such music can be found from the Middle Ages up to contemporary music; however it is not until Romanticism that works are composed specifically for female choirs. Thus, a particular genre is born that will keep its own entity up to the present times. This genre has been especially cultivated as of late by female artists and composers. Both aspects, that is presenting works written for female choir as well ...    VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

A Shepherds' Song