Concert de Para l'Elles du 15 octobre 2023

Semana Santa Musical en la Sierra, Galapgar, 24 de marzo de 2012

MARIN BAROQUE Daniel Canosa, Music Director The Body Sacred March 12 2016, 8:00 PM First Presbyterian Church San Anselmo, California Dietrich Buxtehude (1637 – 1707) Membra Jesu Nostri, BuxWV 75 No. 2 Ad Genua Sonata Concerto (Chorus)...  moreMARIN BAROQUE Daniel Canosa, Music Director The Body Sacred March 12 2016, 8:00 PM First Presbyterian Church San Anselmo, California Dietrich Buxtehude (1637 – 1707) Membra Jesu Nostri, BuxWV 75 No. 2 Ad Genua Sonata Concerto (Chorus) Aria Kevin Kyle Gino, tenor Aria Jessica Winn, alto Aria Joanna Dudley & Linda Price, sopranos; Jesse Turner, bass Concerto No. 3 Ad Manus Sonata Concerto (Chorus) Aria Joanna Dudley, soprano Aria Linda Price, soprano Aria Sammy Faustine, countertenor; Kevin Kyle Gino, tenor; Fred Goff, bass Concerto No. 4 Ad Latus Sonata Concerto (Chorus) Aria Joanna Dudley, soprano Aria Sammy Faustine, countertenor; Kevin Kyle Gino, tenor; Fred Goff, bass Aria Linda Price, soprano Concerto No. 7 Ad Faciem Sonata Concerto (Chorus) Aria Sammy Faustine, countertenor; Kevin Kyle Gino, tenor; Fred Goff, bass Aria Sammy Faustine, countertenor Aria (Chorus) Concerto Amen  less

#choral #classicalmusic #gospel #ghchoralmusic #bach Jesu, Joy of Man’s Desiring is from the cantata Herz und Mund und Tat und Leben, BWV 147, written in 1716 when the Bachs lived in Weimar and revised for later use in Leipzig in 1723. The text des...  more#choral #classicalmusic #gospel #ghchoralmusic #bach Jesu, Joy of Man’s Desiring is from the cantata Herz und Mund und Tat und Leben, BWV 147, written in 1716 when the Bachs lived in Weimar and revised for later use in Leipzig in 1723. The text describes the author’s close and friendly relationship with Jesus in very familiar and joyful terms. - GNAAS-KNUST Choir #jsbach #theyoutubeexperience #anticipate #gnaasknustchoir @The Church of Jesus Christ of Latter-day Saints @Hope Channel Ghana @HARMONIOUS CHORALE GHANA @The Symphonials - Ghana @His Voice GH @VOCES8 @VocalEssence Chorale @VocalEssence @Classical Tunes @Top Classical Music - Music History Channel @Classical Music Only @Classical Music/ /Reference Recording @Johann Sebastian Bach @GH Choral Music  less

Inkosi Jesu is a beautiful piece composed in reembrace of Christ's suffering, death and resurrection. It takes us through a series of emotions as we remember these historic moments when Christ died for our sins.

Arranged by Jesu Elberdin, performed at the Our Lady of the Guadalupe Parish, General Trias Cavite "A Night of Choral Music". (June 30, 2018)

Registrazione autonoma presso l'Abbazia di Villanova di San Bonifacio (VR) Italy Gennaio 2014.

"Komm, Jesu, komm" Johann Schelle (1648-1701) Flos Campi La Monarca Baroque Ensemble Vicente Chavarria, Artistic Director From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA

A Remembrance for those who lost their lives during the outbreak. Tomás Luis de Victoria - Jesu Dulcis Memoria Swara vocal ensemble Ivan Yohan, conductor

Domine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  moreDomine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents in music of the Americas. Musically educated in the classical tradition, he began teaching at 12 and writing at age 16. He reached the rank of Master of the Royal Chapel (most important post for a musician in Brazil Cologne) appointed by King John IV and conducted the first performances of Mozart’s "Requiem" and Haydn’s "Creation" in Brazil. Poor, mulatto, losing his father early and being educated with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origin in a family of slaves.  less