1° Grand Prix di Musica Corale - Saint Vincent - Valle d'Aosta - 22/24 Settembre 2011 Fase finale, riservata ai primi Tre cori classificati durante le fasi eliminatorie. www.complessovocalenuoro.it

Motet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet,...  moreMotet III "Jesu, meine Freude", BWV 227 -After "Gute Nacht, O Wesen": Trio Sonata in G, BWV 1038: Adagio Johann Sebastian Bach (1685-1750) Flos Campi La Monarca Baroque Ensemble Yoon-Hee Jung, Baroque flute YuEun Kim, violin Frédéric Rosselet, violoncello Vicente Chavarria, harpsichord, Artistic Director Soloists: Amelia Tobiason, soprano Katina Mitchell, soprano Antona Yost, alto Ryan Tani, tenor Joel Nesvadba, bass From "Singet dem Herrn: The Thomaskantor from Schein to Bach" May 5, 2014 • USC Catholic Center, Los Angeles, CA  less

"Sanctus" from the oratorium "Tree of tenderness" (Ømhetens Tre) by Magnar Åm. (Published by Cantando Musikkforlag. www.musikkforlaget.no) Performed by: Chamber choir Vox Humana (Oslo) Åge Kvalbein, cello Audun Sandvik, cello Erlend Habbestad, ce...  more"Sanctus" from the oratorium "Tree of tenderness" (Ømhetens Tre) by Magnar Åm. (Published by Cantando Musikkforlag. www.musikkforlaget.no) Performed by: Chamber choir Vox Humana (Oslo) Åge Kvalbein, cello Audun Sandvik, cello Erlend Habbestad, cello Ole Eirik Ree, cello Dag Jansson, conductor Sound production: Ove Aasmund Berg, Nordic Sound Video production: Oda Hveem Location: Sinsen T-banestasjon (Sinsen metro station, Oslo)  

The second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e Tre gradi di sotto per gire ad essa, di ...  moreThe second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e Tre gradi di sotto per gire ad essa, di color diversi, e un portier ch' ancor non facea motto. [I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, And a gate-keeper, who yet spake no word] Poi pinse l' uscio a la porta sacrata, dicendo: "Intrate; ma facciovi accorti che di fuor torna chi ' n dietro si guata" [Then pushed the portals Of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”] Io mi rivolsi attento al primo tuono, e ' Te Deum laudamus' mi parea udire in voce mista al dolce suono. [At the first thunder-peal I turned attentive, And _”Te Deum laudamus”_ seemed to hear In voices mingled with sweet melody.]  less

"Adiemus" di Karl Jenkins eseguito dalle Tre corali dell'Associazione Corale G. Rossini unite: La Corale Rossini, la Giovane Rossini, i Serial Singers Orchestra G. Verdi di Parma Al pianoforte M° Roberto Penta Direttore M°Massimo Carpegna Tratto da...  more"Adiemus" di Karl Jenkins eseguito dalle Tre corali dell'Associazione Corale G. Rossini unite: La Corale Rossini, la Giovane Rossini, i Serial Singers Orchestra G. Verdi di Parma Al pianoforte M° Roberto Penta Direttore M°Massimo Carpegna Tratto dal Concerto di Natale del 21 dicembre 2013 al Teatro Comunale "Luciano Pavarotti" di Modena  

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto E...  moreCoral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula Hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  

VokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether si...  moreVokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether singers or related to other areas of music or those who, despite having another occupation, have a solid musical background and an extense vocal and choral experience. The unique sonority of a female group of singers, usually a capella, has been widely explored throughout the history of music by many composers from all times, both male and female. Examples of such music can be found from the Middle Ages up to contemporary music; however it is not until Romanticism that works are composed specifically for female choirs. Thus, a particular genre is born that will keep its own entity up to the present times. This genre has been especially cultivated as of late by female artists and composers. Both aspects, that is presenting works written for female choir as well ...    less

A Shepherds' Song

Connections with home 1)      Boosters 2)      Call home when things go right 3)      Programming accessible materials           &...

Saturday 10 June, 6.00pm - 7.15pm A right royal celebration with Hertford Chamber Choir, conductor Manvinder Rattan and organist William Whitehead. In honour of King Charles III’s Coronation, Hertfordshire Festival of Music presents a splendi...