VIew_more">"She Walks in Beauty" by DaVID Childs. Text by Lord byron. Recorded live on FriDay, May 17, 2013, at the Broward Center for the Performing Arts in Fort LauderDale, FloriDa. Performed by the Chamber Singers ensemble of the Girl Choir of South FloriDa. Art...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">"She Walks in Beauty" by DaVID Childs. Text by Lord byron. Recorded live on FriDay, May 17, 2013, at the Broward Center for the Performing Arts in Fort LauderDale, FloriDa. Performed by the Chamber Singers ensemble of the Girl Choir of South FloriDa. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese, Oboist: Lisa Gelfand. She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of Dark and bright Meet in her aspect and her eyes: Thus mellow'd to that tender light Which heaven to gaudy Day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of Days in goodness spent, A mind at peace with all below, A heart whose love is innocent!  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">1998 Copyright Lilly Mack Music/Kerrion Publishing (BMI) Performed by Salvacosta Keys - AlVIn Allison Saxophone - DaVID Heming Percussion - Allister Atherton Bass Guitar - Howard Wood DMB Music www.dmbmusic.co.uk VIdeo Creation - Kingsbere D...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">1998 Copyright Lilly Mack Music/Kerrion Publishing (BMI) Performed by Salvacosta Keys - AlVIn Allison Saxophone - DaVID Heming Percussion - Allister Atherton Bass Guitar - Howard Wood DMB Music www.dmbmusic.co.uk VIdeo Creation - Kingsbere Designs www.Darrenbartlett.co.uk Copyright DMB MUSIC 2016  

VIew_more">Score (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by GaVIn Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed ...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Score (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by GaVIn Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed and performed by DaVID W Solomons  

Coro Juvenil DaVID Goldsmith José Híjar Polo, director Coro Teatro "Pase lo que pase" Ricardo Rodríguez, textos e idea Castillo San Felipe, Puerto de la Cruz Abril de 2002

VIew_more">I. Wedding Song II. Song of the Hay Harvesters III. Dancing Song (from Mezibrod) IV. Dancing Song (from Poniky) Coral Reyes Bartlet DaVID Martel, piano José Híjar Polo, director Concierto Extraordinario Fiestas de Julio Iglesia de la Peña de...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">I. Wedding Song II. Song of the Hay Harvesters III. Dancing Song (from Mezibrod) IV. Dancing Song (from Poniky) Coral Reyes Bartlet DaVID Martel, piano José Híjar Polo, director Concierto Extraordinario Fiestas de Julio Iglesia de la Peña de Francia, Puerto de la Cruz 1 de julio de 2015 Imagen y sonido: Mediawink  

Choirs R Us Christmas Concert 2014 at Ewen Hall, Barnet on 6th December 2014. Choir director and musical arrangement: Jenny Bennett. For more info: www.choirsrus.co.uk

VIew_more">Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or ...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragments of the final section of the work – a mighty invocation of the whakatauki.  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to the 8th "O Antiphon" for Advent

VIew_more">arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

Mass setting by D W Solomons for choir and orchestra performed in January 2016.