Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less

Lovely version of this Disney classic!- First rehearsal...

Angels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. like the Choirs at Virginia Wesleyan Colleg...  moreAngels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. like the Choirs at Virginia Wesleyan College at https://www.facebook.com/The-Choirs-at-Virginia-Wesleyan-College-1498497363730214/.  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about the meaning of Christmas.

Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

A simple Communion Service for choir, organ and congregation written for a local church. The photographs were taken by Keith Brownlow, fellow student at Sale University of the 3rd Age, with thanks.

Anthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Parody by dwsolo of Gruber's Christmas carol "Silent Night" sung by the composer multitracking. Here the would-be sleeper is kept awake by biting insects! A version for SATB is also available at http://www.musicaneo.com/sheetmusic/sm-181539_silent_gnat...  moreParody by dwsolo of Gruber's Christmas carol "Silent Night" sung by the composer multitracking. Here the would-be sleeper is kept awake by biting insects! A version for SATB is also available at http://www.musicaneo.com/sheetmusic/sm-181539_silent_gnat.html#181540  

A performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ muri...  moreA performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ murie sing cuccu Cuccu cuccu Wel singes þu cuccu ne swik þu nauer nu Sing cuccu nu Sing cuccu. Sing cuccu Sing cuccu nu Summer has arrived, Loudly sing, cuckoo! The seed is growing And the meadow is blooming, And the wood is coming into leaf now, Sing, cuckoo! The ewe is bleating after her lamb, The cow is lowing after her calf; The bullock is prancing, The billy-goat farting Sing merrily, cuckoo! Cuckoo, cuckoo, You sing well, cuckoo, Never stop now. Sing, cuckoo, now; sing, cuckoo; Sing, cuckoo; sing, cuckoo, now!  less

Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less