Hi. I am carrying out research into the vocal health habits and experiences of amateur singers as part of a Post Graduate certificate with the Voice Workshop, in conjunction with the University of Wales. Please could all of you lovely people who sing re...

Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or ...  moreTakerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragments of the final section of the work – a mighty invocation of the whakatauki.  less

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to the 8th "O Antiphon" for Advent

Music and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "The Redemption"...  moreMusic and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (organ Solo) 4. Lovely Appear, from "The Redemption" 5. Dealing with Disappointment (Spoken Word) 6. Who Will Buy? from "Oliver!" 7. Thou Lovely Source of True Delight Dealing with Disappointment Every life needs aspirations—along with goals to help us achieve them. Our goals can be like the banks of a river, guiding the flow of our ambitions. Making plans and striving to accomplish them helps channel our efforts and energies toward the things that matter most to us. But what about when we fail? How do we respond when, despite our earnest efforts, we don’t quite reach those high aspirations? In short, how do we deal with disappointment? The natural response is to feel discouraged, disheartened. It might seem that all our planning and work were wasted. We may even question our aspirations—were our ...    less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   A woman came up to me last Saturday and said “I like coming to your workshops because there are always lots of men”.     Ke...

This sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, and list'ning ears Thy servant stands. Call Thou early, call Thou late, to...  moreThis sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, and list'ning ears Thy servant stands. Call Thou early, call Thou late, to Thy great service dedicate. My soul, keep white, and whole. (poem by Charles Hamilton Sorley) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

Why not give singing for men a go! www.facebook.com/bournemouthmvc

C6 performing in the Chicagoland voices 2015 Winter Concert by Stevie Wonder, arr. Roger Emerson

A lockdown performance from Canterbury Vocals choirs: Canterbury Ladies Choir, Canterbury Girls Choir and Canterbury voices. As Long As I Have Music Music by Don Desig Words by Don Besig and Nancy Price http://www.canterburyvocals.co.uk/

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.