Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: David.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know When the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

Sneak Peek!David Rain's gorgeous arrangement of the classic German carol “Es ist ein Ros entsprungen” is included in our 2019 Christmas Concert program.Here is the premiere performance via our Youtube channel.Don't miss The Stairwell Carolle...

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less

Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

Devon folk song arranged for mixed choir The words of the song can be found in many places on the Net, some more accurate than others. All of the places are in Devon, except Callington, which is in Cornwall, but it is likely to be the correct place sin...  moreDevon folk song arranged for mixed choir The words of the song can be found in many places on the Net, some more accurate than others. All of the places are in Devon, except Callington, which is in Cornwall, but it is likely to be the correct place since it is so close to the centre of the events - ie towns and villages North and West of Dartmoor. (The Yetties' version of the song refers to "North Looe", but this is very unlikely to be correct, since Looe is much further into Cornwall). In this the version I finally decided upon "North Lew" (a compromise between Quoditch's version and the Yetties' version):  less

Litany to the Holy Spirit is my setting of the whole of Robert Herrick's poem by that name (as opposed to other well-known settings which only use a few verses). The whole poem deserves to be set in its entirety since the full story can be told and He...  moreLitany to the Holy Spirit is my setting of the whole of Robert Herrick's poem by that name (as opposed to other well-known settings which only use a few verses). The whole poem deserves to be set in its entirety since the full story can be told and Herrick's feelings come out all the more.  

My Love - a hypnotic and yearning quasi-canon for three equal (alto) voices, with an ostinato guitar motif.

Ladies and Gentlemen, The Barbershop Harmony Society is proud to present your 2008 International Chorus Champions! Representing the Far Western District.... THE MASTERS OF HARMONY! They're performing two Public Domain songs! "Wonderful O...  moreLadies and Gentlemen, The Barbershop Harmony Society is proud to present your 2008 International Chorus Champions! Representing the Far Western District.... THE MASTERS OF HARMONY! They're performing two Public Domain songs! "Wonderful One" arranged by David Wright, and "Yona, From Arizona" arranged by Aaron Dale. Visit www.barbershop.org to get information on choruses in your area, and visit the Masters of Harmony at their web page: www.mastersofharmony.org!  

Traditional Appalachian folk carol arranged by Andrew Carter Performed by Exultate Singers http://www.exultatesingers.org

Coral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, b...  moreCoral Reyes Bartlet Dir. José Híjar Polo Coro de Cámara Mateo Guerra Dir. Luis García Santana Coro Juvenil David Goldsmith Dir. Cristo Velázquez Barrera Candelaria González, soprano Tairuma Méndez, mezzo Marcos de Armas, tenor Anelio Gibrant, barítono Orquesta del Encuentro de Música Religiosa de Canarias Dir. Gregorio Gutiérrez Iglesia de la Peña de Francia 23 de marzo de 2014 XII Festival de Música Antigua y Barroca de Puerto de la Cruz, coproducción IX Encuentro de Música Religiosa de Canarias Iluminación: Eduardo Zalba Sonido: Luis Acuña Grabación y postproducción: Media Wink  less