The Virginia Wesleyan Chorale is a small, auditioned group at Virginia Wesleyan College in Norfolk, Virginia. The choir is composed of 16-20 singers from all majors who perform a variety of music, from classical, to folk, to contemporary jazz. Members of ...  moreThe Virginia Wesleyan Chorale is a small, auditioned group at Virginia Wesleyan College in Norfolk, Virginia. The choir is composed of 16-20 singers from all majors who perform a variety of music, from classical, to folk, to contemporary jazz. Members of the Wesleyan Chorale also perform in the Wesleyan Singers, an open-enrollment ensemble that performs a variety of music while developing vocal technique and musicianship skills.  

KSCI College Chamber Choir performing at Holy Spirit Catholic Church in Lee's Summit, MO. This choir of young people met for only a few hours to prepare a 1 hour concert that launched Kantorei KC's summer youth outreach program. Directed by Chris Munce.

IV. THE SWEET COLD WATER We are the mirror as well as the face in it. We are tasting the taste this minute of eternity. We are pain and what cures pain, both. We are the sweet cold water and the jar that pours. Texts by Rumi, translated by Colem...  moreIV. THE SWEET COLD WATER We are the mirror as well as the face in it. We are tasting the taste this minute of eternity. We are pain and what cures pain, both. We are the sweet cold water and the jar that pours. Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director. Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling seas, and the ocean's gifts and singing. Its images, from 800 years ago, speak to us with both vivid immediacy and transcendence. The idea for the piece originated with the Mellon Elemental Arts Initiative, which propo...    less

The basis for the Utrecht Byzantine Choir lies in a group of Ukrainian seminarians with its professors who came to the Netherlands shortly after the Second World War. Born and raised in Ukrainia dr. Myroslaw Antonowycz conducted the worship services in C...  moreThe basis for the Utrecht Byzantine Choir lies in a group of Ukrainian seminarians with its professors who came to the Netherlands shortly after the Second World War. Born and raised in Ukrainia dr. Myroslaw Antonowycz conducted the worship services in Culemborg for the reestablished Ukrainian seminar. After the seminarians were graduated, they swarmed out to fulfill their priestly vocation for the Ukrainians all over the world. The now outside the monastery walls well-known seminarian choir fell apart while applications for the singing of liturgies and concerts throughout the Netherlands, kept coming. On the initiative of Msgr. AG Smith, dr. Antonowycz founded the Utrecht Byzantine Choir on February 9, 1951, consisting of only Dutch men, who specialized in singing the liturgy according to the Slavic-Byzantine rite. In cooperation with the Apostolate of the Eastern Churches, the UBK initially only sang liturgies according to the Byzantine Rite. Hundreds of parishes in the Netherlands became familiar with ...    less

"Exsurge Domine" is a male vocal ensemble performing sacred music, monodic and polyphonic, from Middle Age. It's conducted by its founder, Enrico Correggia.

The Armed Man – A Mass for Peace Each year on Anzac Day, New Zealanders (and Australians) mark the anniversary of the Gallipoli landings of 25 April 1915. On that day, thousands of young men, far from their homes, stormed the beaches on the...

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

Performed by Nidarosdomens Guttekor (Nidaros Cathedral Choir of Men and Boys) as an encore during their concert in the Berlin Cathedral on 27.11.2016. Directed and conducted by Bjørn Moe Live recording by Nidarosdomens Guttekor This song is also...  morePerformed by Nidarosdomens Guttekor (Nidaros Cathedral Choir of Men and Boys) as an encore during their concert in the Berlin Cathedral on 27.11.2016. Directed and conducted by Bjørn Moe Live recording by Nidarosdomens Guttekor This song is also featured on our latest CD: http://www.grappa.no/en/albums/grappa/deilig-er-jorden-det-beste-av-nidarosdomens-guttekor/  

Spend a fantastic weekend learning Beach Boys songs in glorious harmony in the beautiful Wye Valley.   Men especially welcome!     Friday 3 May 2019 5pm to Sunday 5 May 2019 2pm Dean Valley Manor (formerly Lindors Country House Hotel...

“Koro de San Jose”, Formerly known as “Celina Homes Choir” was founded in the year 2000 by its first director, Ms. Gloria Tabucanon; an Education graduate from the University of the Philippines Diliman. CHC, as often called by parishioners was the officia...  more“Koro de San Jose”, Formerly known as “Celina Homes Choir” was founded in the year 2000 by its first director, Ms. Gloria Tabucanon; an Education graduate from the University of the Philippines Diliman. CHC, as often called by parishioners was the official choral group of the Ugnayan St. Joseph the Worker from the Mother of the Redeemer Parish in Deparo Caloocan City. In 2002, Mr. Victor Ventus became the new leader of the group; and under his supervision the choir was considered one of the finest in the Parish. CHC was composed of mixed voices back then; but like any other group, members do come and go. In 2005, most its female members left to study and work. 2006 came and CHC was officially announced and named after its patron saint as Koro de San Jose, the first and only All-Male choir in the Parishes’ history. In 2007, Mark Westvent Abesia started assisting Victor Ventus in teaching the members vocal parts and harmony. Koro de San Jose was able to perform for the Bishop of the Diocese of Novaliches, Schools ...    less