Score video of THE FERVID HOKEY POKE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Jeff Brechlin. Audio recording by Matt Curtis (Choral Tracks). Jeff Brechlin won The Washington Post's Style Invitational in March 2003 with his poem T...  moreScore video of THE FERVID HOKEY POKE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Jeff Brechlin. Audio recording by Matt Curtis (Choral Tracks). Jeff Brechlin won The Washington Post's Style Invitational in March 2003 with his poem The Hokey Poke. The competition asked readers to rewrite some banal instructions in the stvle of a famous writer. Brechlin chose to rewrite one verse of the traditional dance song The Hokey Pokey as if written by William Shakespeare, for which he won the prize of a shotgun shell salt and pepper shaker. His poem is used with permission. For more information visit www.gregbartholomew.com/hokeyindex.html  less

I have composed a choral piece on a poem by an M.E. patient. She is an Irish resident (Corina Duyn, you might want to google her for more information) and is suffering from this horrible disease for quite some years now. As an artist, she writes poems, ma...

  Life works in mysterious ways. Sometimes, without meaning to, you can get a song or a jingle stuck in your head and end up singing or humming it for hours - or even days. On the other hand, when you are actively trying to learn a poem, lyric, or a...

An SATB setting of Mary Elizabeth Coleridge's poem "The Bluebird."

The Oxen Music: Richard Bullen Lyrics based on a poem by Thomas Hardy US premiere Congregational Church of Batavia, IL

Gwyneth Walker's setting of ee cummings' poem. Sung by Jubilate at the Llangollen International Eisteddfod, July 2013.

Gladly present you a new publication, The "Nature" by Battista Pradal for female voices with Emily Dickinson’s text. Mr Pradal was member of jury in international composition and choral competitions and is artistic director of the well known meeti...

One of my earliest a cappella compositions composed when I was 22, the haunting and melancholic "Elegy of Anne Boleyn" based on an anonymous poem I found in my local library in 1983, is now available at my website. I remember being very inspired by Debuss...

poem by Filippo Sirotti (b.1967) In the time that doesn't want to pass, in my heart I feel a strength that pushes me to say: "us" And when the sun has gone, I look for you in the sky among the other stars. As my soul is with you in the sweet n...  morepoem by Filippo Sirotti (b.1967) In the time that doesn't want to pass, in my heart I feel a strength that pushes me to say: "us" And when the sun has gone, I look for you in the sky among the other stars. As my soul is with you in the sweet night, and feels happy waiting for you, because nowhere is far. Recorded by Matthew Curtis (ChoralTracks). To learn more about the composer, visit his personal Facebook page: https://www.facebook.com/joshuabhimes  

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less