Performed by Universitair Koor Antwerpen at their Christmas Concert "A Fiery Christmas" in december 2013. solo's by Naomi Riemis, Michael Limpens and Simon Callaerts

A part of the choir's winning performance at 43rd Croatian Choral Assembly held in October 2010 in Novigrad. soprano solo: Iva Ivković

pour solistes, choeur d’enfants, choeur SATB violon solo, violoncelle solo et orgue interprètes: Maîtrise d'Autun dir. Fabien Barxell Mathieu POTOT (le Christ), Olivier GANZERLI (l'évangéliste), Yves MARRILLIET (violon), Annabelle HES (violoncelle), ...  morepour solistes, choeur d’enfants, choeur SATB violon solo, violoncelle solo et orgue interprètes: Maîtrise d'Autun dir. Fabien Barxell Mathieu POTOT (le Christ), Olivier GANZERLI (l'évangéliste), Yves MARRILLIET (violon), Annabelle HES (violoncelle), Catherine RENOUD (orgue) solistes de la Maîtrise Commande de l'Evêché et de la Maîtrise d'Autun L'oeuvre peut être donnée en concert ou pendant la liturgie. Traductions possibles. Editions de la Schola Cantorum (Suisse) http://www.schola-editions.com/ également: Passion selon St Luc et Passion selon St Marc  less

A part of the choir's winning performance at the 61st Croatian Youth Music Festival held in May 2018 in Varaždin. www.facebook.com/M.marulic.choir M.marulic_choir@yahoo.com camera operator: Marijana Munitić recording and production: Bernard Kahle ...  moreA part of the choir's winning performance at the 61st Croatian Youth Music Festival held in May 2018 in Varaždin. www.facebook.com/M.marulic.choir M.marulic_choir@yahoo.com camera operator: Marijana Munitić recording and production: Bernard Kahle www.facebook.com/BKrecordings b.kahle@yahoo.com  

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and Your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a desCant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less

El Coro "Santa María" de Coria del Río (Sevilla) interpreta CHRISTMAS LULLABY de J. Rutter acompañado del Quinteto de Cuerdas "Da Capo", Óscar Vicente al piano, bajo la dirección de Sergio Asián, durante el XVIII Concierto de Navidad "A Festival of Christ...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta CHRISTMAS LULLABY de J. Rutter acompañado del Quinteto de Cuerdas "Da Capo", Óscar Vicente al piano, bajo la dirección de Sergio Asián, durante el XVIII Concierto de Navidad "A Festival of Christmas Carols" celebrado el 17 de diciembre de 2017 en la Parroquia de San José (Coria del Río) Síguenos en: https://www.facebook.com/asociacioncorosantamaria Twitter: https://twitter.com/amcsantamaria Más información en: https://www.corosantamaria.org  less

DENNOS LECENCIA - CODEX MARTINEZ COMPAÑON TRUJILLO DEL PERÚ (1782-85) / GU CHOIR Entering the colonial Spanish-American period, indigenism and slavery raise their voices in the Peruvian Codex of Martinez Compañón (S. XVIII) and in the work of the Spa...  moreDENNOS LECENCIA - CODEX MARTINEZ COMPAÑON TRUJILLO DEL PERÚ (1782-85) / GU CHOIR Entering the colonial Spanish-American period, indigenism and slavery raise their voices in the Peruvian Codex of Martinez Compañón (S. XVIII) and in the work of the Spanish Juan de Arañés (S. XVII). The subtle and everyday expressions of the indigenous people, together with those of the Africans, convey their deep desire for freedoM. The Bozal Spanish language, as also the themes, texts and rhythm of the works, show the strong syncretism between the Spanish culture and that of the indigenous and African natives. GOA UNIVERSITY CHOIR Artistic Director SANTIAGO LUSARDI GIRELLI Anthony Gonsalves Western Music Chair SOPRANOS MERLE ANA HENRIQUES - GRAZIELLA SUZEL GONSALVES - FLEUR DIAS - ELIZABETH IPE - GRESHMA MARILYN D´SILVA - ALICE D´CRUZ - PATRICIA SEQUEIRA - ANDREA FARIA - MARIE CHRISTINE PINTO ALTOS AMEETA MASCARENHAS - PATRICIA COLAÇO - ASTRID MONTEIRO - SAHER NISCHAL JOSEPHINE CARVALHO - CLARA ASTARLOA ...    less

Soprano solo: Natali Boğosyan Double bass solo: Arda Ardaşes Agoşyan Arr. and Dir.: A.A. Agoşyan

live performance in May 2023 Philip Klaassen, tenor solo North Sky Chorale Richard Janzen, director Audrey Falk Janzen, piano

El Coro "Santa María" de Coria del Río (Sevilla) interpreta A MAIDEN MOST GENTLE Tradicional francesa armonizada por CARTER y acompañada por el Quinteto de Cuerdas "Da Capo", Óscar Vicente al piano, dirigidos por SERGIO ASIÁN, durante el XVIII Concierto d...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta A MAIDEN MOST GENTLE Tradicional francesa armonizada por CARTER y acompañada por el Quinteto de Cuerdas "Da Capo", Óscar Vicente al piano, dirigidos por SERGIO ASIÁN, durante el XVIII Concierto de Navidad celebrado el 17 de diciembre de 2017 en la Parroquia de San José de Coria del Río (Sevilla). Síguenos en: https://www.facebook.com/asociacioncorosantamaria Twitter: https://twitter.com/amcsantamaria Más información en: https://www.corosantamaria.org  less