[A version of this article first appeared as a post on my blog From the Front of the Choir]   Whether it’s bringing up a family or long-term illness or a bad singing experience, many people find it hard to get Back into singing when they...

http://www.jwpepper.com/Johnrutter the importance of music in our schools can not be overstated. No one understands this more and has more Background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his bel...  morehttp://www.jwpepper.com/Johnrutter the importance of music in our schools can not be overstated. No one understands this more and has more Background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his beliefs on why choral music "is not one of life's frills" and why more people should take note. Watch John's Other Interviews with JW Pepper here: https://www.youtube.com/playlist?list=PLZQqNNHsg4fDl5YNCJm3qBFmmHnut_XPt http://www.Johnrutter.com/  

Members of the Seton Hall University Chorus Jason C. Tramm, Director of Choral Activities Alexandra Beliakovich, Piano Brendan McHugh, Percussion Jason Tramm, Bass Guitar Quinton Tramm, Audio/Video Engineering Recorded: April 2021

Tina Turner Medley: Proud Mary, Let's Stay together and River Deep, Mountain High. Songs arranged by Jenny Bennett. Performed by Choirs R Us at the Summer Choirs Concert 2018 at Wyllyotts theatre, Potters Bar on 8th July 2018. Choir Director: Jenny Benn...  moreTina Turner Medley: Proud Mary, Let's Stay together and River Deep, Mountain High. Songs arranged by Jenny Bennett. Performed by Choirs R Us at the Summer Choirs Concert 2018 at Wyllyotts theatre, Potters Bar on 8th July 2018. Choir Director: Jenny Bennett. Filmed by Richard White. For more please see www.choirsrus.co.uk  

This video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins. It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing. Kelly G...  moreThis video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins. It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing. Kelly Galbraith is the director https://www.facebook.com/sjmenschorus Twitter - Saint John Men's Chorus @SaintChorus  

maj 2011 Šmartno pri Litiji

We have recently launched the John Hanson Community Choir. Open to all ages across the community of Andover and beyond. Come and join us and join in with the fun and love of singing together. Every Thursday evening 6-8 pm at John Hanson Community School - Andover

Join us on facebook : https://www.facebook.com/fanclubAndantino the famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag...  moreJoin us on facebook : https://www.facebook.com/fanclubAndantino the famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe) Stadhuis Vilvoorde 10/11/2014 Andantino (Vilvoorde België olv Peter De Waele) In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky the larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved, and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: to you from failing hands we throw the torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. “In Vlaanderens velden bloeien de kl...    less

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. the speaker wishes his death by drowning in his despair, in his tears. the expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. the speaker wishes his death by drowning in his despair, in his tears. the expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less