BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view the complete score in tandem with a performance. For more information and additional works, visit www.johnconahan.com. (© John Conahan)

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna... &NBsp;moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com &NBsp;less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati... &NBsp;moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com &NBsp;less

Francis Poulenc (1899 - 1963): Sept répons des ténèbres (1962) Jeudi Saint / Holy Thursday / Gründonnerstag I. Una hora 0:09 II. Judas mercator 3:18 Vendredi Saint / Good Friday / Karfreitag III. Jesum tradidit 5:56 IV. Caligaverunt oculi mei 9:... &NBsp;moreFrancis Poulenc (1899 - 1963): Sept répons des ténèbres (1962) Jeudi Saint / Holy Thursday / Gründonnerstag I. Una hora 0:09 II. Judas mercator 3:18 Vendredi Saint / Good Friday / Karfreitag III. Jesum tradidit 5:56 IV. Caligaverunt oculi mei 9:54 V. Tenebrae factae sunt 12:20 Samedi Saint / Holy saturday / Karsamstag VI. Sepulto Domino 16:09 VII. Ecce quomodo moritur 18:50 Monteverdichor Würzburg Matthias Beckert (cond.) 26. 02. 2012 Neubaukirche, Würzburg, Germany 1. Una hora non potuistis vigilare mecum, qui exhortabamini mori pro me? Vel ludam non videtis, quomodo non dormit, sed festinat tradere me ludaeis? Quid dormitis? Surgite, et orate, ne intretis in tentationem. Mk 14,37-38, Lk 22,46 ; Joh 18,2-5 2. Judas mercator pessimus osculo petiit Dominum: ille ut agnus innocens non negavit Judae osculum: Denariorum numero Christum Judaeis tradidit. Melius illi erat si natus non fuisset. Mt 26,14-16.48-50 und Mk 14,21 3. Jesum tradidit impius summis principibus sa... &NBsp; &NBsp;less

The US Males of University School sing a tribute to John Williams (aka "John Williams is the Man")

LOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.john... &NBsp;moreLOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.johnconahan.com. (© John Conahan) &NBsp;

Extract from concert given on 31 march 2012. Choeur de Notre-Dame de Bon Voyage The 1878 Orchestra Soloists: Liesel Jürgens, Sandra Mirkovic, Frédéric Diquéro, Sergiu Ceaiscevsciuc Organ: Henri Pourtau & Catherine Hyvert Conductor: Stéphan Nicolay

"John Williams is the Man" Based on John Williams movie music. Arranged by Mr. Tim, JS Slagowski & Bryant W. Smith. Saturday, March 12, 2016 Mayslake Peabody Estate, Oak Brook, IL.

piano: Vinka Račić A part of the choir's winning performance at 56th Croatian Youth Music Festival held in May 2013 in Varaždin. contact: www.facebook.com/m.marulic.choir m.marulic_choir@yahoo.com

Weep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati... &NBsp;moreWeep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com &NBsp;less