Dallo Spettacolo "Il pioppo nella neve" (Trento, Teatro Cuminetti, gennaio 2009), regia di Elena Galvani e Jacopo Laurino Cantoria Sine Nomine, direttore Carlo Andriollo Voci soliste: Luigi Segnana, David Valandro, Giorgio Bragagna, Mauro Patton Fisa...  moreDallo Spettacolo "Il pioppo nella neve" (Trento, Teatro Cuminetti, gennaio 2009), regia di Elena Galvani e Jacopo Laurino Cantoria Sine Nomine, direttore Carlo Andriollo Voci soliste: Luigi Segnana, David Valandro, Giorgio Bragagna, Mauro Patton Fisarmonica: Tiziano Montibeller Clarinetto: Lorenzo Laurino Contrabbasso: Carlo Nerini Testo di Bertolt Brecht, armonizzazione Roberto Di Marino "Un giorno di settembre, il mese azzurro, tranquillo sotto un giovane susino io tenni l’amor mio pallido e quieto tra le mie braccia come un dolce sogno. E su di noi nel bel cielo d’estate c’era una nube ch’io mirai a lungo: bianchissima nell’alto si perdeva e quando riguardai era sparita. E da quel giorno molte molte lune trascorsero nuotando per il cielo. Forse i susini ormai sono abbattuti: Tu chiedi che ne è di quell’amore? Questo ti dico: più non lo ricordo. E pure certo, so cosa intendi. Pure il suo volto più non lo rammento, questo rammento: l’ho baciato un giorno. Ed anche il bacio avrei...    less

Jesu nahm zu sich die Zwölfe BWV22, J.S.Bach. Arioso Tenore-Basso e Coro Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director Gabriel Díaz, alto Carlos Mendez, tenor Radoslaw Wielgus, bajo VIII Festiva...  moreJesu nahm zu sich die Zwölfe BWV22, J.S.Bach. Arioso Tenore-Basso e Coro Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director Gabriel Díaz, alto Carlos Mendez, tenor Radoslaw Wielgus, bajo VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com  

Ensayo perteneciente al IV Concierto Benéfico La Casita Oblatas. Primera grabación de esta obra incluida dentro de "Fides sine tempore", programa que hace un recorrido por la música sacra desde el Renacimiento hasta nuestros días.

El Coro Polifónico de la Universidad de La Laguna ha participado en el primer Festival Internacional Online de Música Sacra que ha organizado la Universidad Tecnológica Equinoccial de Quito (Ecuador) con motivo de su 50 aniversario y que se celebró entr...  moreEl Coro Polifónico de la Universidad de La Laguna ha participado en el primer Festival Internacional Online de Música Sacra que ha organizado la Universidad Tecnológica Equinoccial de Quito (Ecuador) con motivo de su 50 aniversario y que se celebró entre el 30 de marzo y el 1 de abril. El Coro Polifónico de la Universidad de La Laguna intervino el pasado jueves, 1 de abril, en el concierto de clausura, en el puesto 16 de un total de 23 coros con la obra Selig sind die Toten, del organista y compositor alemán Heinrich Schütz (1585-1672). La actuación se desarrolló desde la base de las vidrieras de San Fernando situadas en las escalinatas principales del Edificio Central de la institución académica.  less

Text: Christina Koenig, Music: Sabine wüsthoff Contributors: Daejeon Observatory Children's Choir (Republic of Korea), Project Choir of the Laborschule Dresden, Junior Concert Choir of the Berlin Girls Choir Piano: Keiko Yuasa | Conductor: Sabine wüstho...  moreText: Christina Koenig, Music: Sabine wüsthoff Contributors: Daejeon Observatory Children's Choir (Republic of Korea), Project Choir of the Laborschule Dresden, Junior Concert Choir of the Berlin Girls Choir Piano: Keiko Yuasa | Conductor: Sabine wüsthoff German-Korean choir concert Saturday, 4 May 2019, Berlin soNG WITHOUT BORDERS - World premiere For the meeting of three children's and youth choirs. The first of the three verses is sung in German, the second in Korean, the last in English - so each choir has to learn to pronounce the language of the other, an adventure! With simple, poetic words, "song without borders" deals with the chance of children to create a future worth living for the adults of tomorrow through mobility, empathy and energy. The music to it illustrates in the first verse the sea as a metaphor of eternal movement, in the second the feeling together, in the third the positive action of holding together.  less

A part of the choir's winning performance at the 62nd Croatian Youth Music Festival held in May 2019 in Varaždin. www.facebook.com/m.marulic.choir m.marulic_choir@yahoo.com camera operator: Josipa Maček recording and production: Bernard Kahle www...  moreA part of the choir's winning performance at the 62nd Croatian Youth Music Festival held in May 2019 in Varaždin. www.facebook.com/m.marulic.choir m.marulic_choir@yahoo.com camera operator: Josipa Maček recording and production: Bernard Kahle www.facebook.com/BKrecordings b.kahle@yahoo.com  

Triolett („Senkt die Nacht den sanften Fittich nieder“) from: Drei Lieder für Frauenstimmen und Klavier, Op. 114 (1853) Composer: Robert Schumann (1810-1856) Berlin Girls Choir – Concert Choir, direction: Sabine wüsthoff Concert at Municipal Theatre, ...  moreTriolett („Senkt die Nacht den sanften Fittich nieder“) from: Drei Lieder für Frauenstimmen und Klavier, Op. 114 (1853) Composer: Robert Schumann (1810-1856) Berlin Girls Choir – Concert Choir, direction: Sabine wüsthoff Concert at Municipal Theatre, Larnaka (Cyprus), Oct. 2017  

Hofstra Chamber Choir performing the first movement of Per Nørgård's Wie ein Kind, "Wiigen-Lied" David Fryling, Conductor Alex Schirling and Allison Lindsay, sprechstimme Cathedral of the Incarnation, April 2012

It is an old saying - which actually refers to Naples… But Rome is really worth seeing, because it's one of the most beautiful cities in the world and you can join us to sing - could you imagine anything more satisfying than this?    Yo...

At the piano: Dmitry Semenovsky. The lyrics of the song is a translation from Goethe's "Nur wer die Sehnsucht kennt."