La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a co...  moreLa Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a couple of vocalize additions above and below it. The pdf file contains the score and a separate guitar part. The sound sample is performed by the composer. Let's sing la Folia Oh let's sing la Folia Oh let's sing la Folia as in the Baroque time Oh let's sing la Folia Oh let's sing la Folia It spans all the centuries up to now (la la la) (cu cu cu!)  less

James W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne vocale, Belgium (Ivan Yohan, conduct...  moreJames W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne vocale, Belgium (Ivan Yohan, conductor), and Parahyangan Catholic University Choir, Indonesia (Alfonsus Albert, conductor)  

ensemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Pre...  moreensemble quartonal: Beati Mortui (Felix Mendelssohn Bartholdy) Das "ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deutschen Chorwettbewerb den 1. Preis in der erstmals ausgeschriebenen Kategorie der klassischen ensembles gewinnen und wurde damit über die Landesgrenzen hinaus bekannt. Diese Aufnahme stammt von einem Konzert im Lübecker Dom.  

Lamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was cre...  moreLamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was created in memory of the late Richard Gofton, who introduced me to the music back in 1976 (Our Strasbourg choir Psalterion performed it at that time)  

Downtown Voices: http://DowntownVoices.net Trinity Baroque Orchestra: https://www.trinitywallstreet.org/music/baroque-orchestra Stephen Sands, conductor: http://StephenSands.net

vocal ensemble Just For Fun Pop & Jazz 2013 Stadsschouwburg Mechelen

Vokalni ansambl "Musica Viva". Beograd, 16. maj 2014.

Now in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk son...  moreNow in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk songs to Bach’s B Minor Mass and Handel’s Messiah, all performed in Capriccio’s signature style: virtuosic clarity with a sensitive, compelling spirit.  

South African Freedom Song, arranged by Jeffery L. Ames. Performed by Highbridge Voices at their annual benefit concert in NYC. Mary Clementi, conductor. Chris Cubeta, Billy Janiszewski, Devon Joiner, percussion.