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blog:
Why can’t I sing low notes with more power and volume?
[A version of this article first appeared as a post on my blog From the Front of the Choir] Many men (and some women) complain about not having much vocal power on low notes.
photo by GigNroll.com
If you have good power, control and volume in the ...
group:
Sound Wave
Very new group full of hard working singers
group:
Quorum Singers of St Albans
Come try us out for 3 free rehearsals, and then it's a quick voice check (not really an audition) and you're one of us! We're a group of about 20 men & women, and sing in 3 or 4 (or more) part harmony.
Quorum love to raise money for local causes - ... moreCome try us out for 3 free rehearsals, and then it's a quick voice check (not really an audition) and you're one of us! We're a group of about 20 men & women, and sing in 3 or 4 (or more) part harmony.
Quorum love to raise money for local causes - covering all sorts of charities, in all sorts of venues.
Quorum Singers of St Albans has been singing for over 25 years, and perform around 3 times a year in St Albans or locally in Hertfordshire.
We rehearse once a week on Wednesdays, throughout the term time, and can often be found performing in Christopher Place around Christmas time! less
video:
"I Thank You God" by Gwyneth Walker, performed by Vox Grata Women's Choir
I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "Thi... moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name.
Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ... less
group:
VokalArs
VokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether si... moreVokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether singers or related to other areas of music or those who, despite having another occupation, have a solid musical background and an extense vocal and choral experience.
The unique sonority of a female group of singers, usually a capella, has been widely explored throughout the history of music by many composers from all times, both male and female. Examples of such music can be found from the Middle Ages up to contemporary music; however it is not until Romanticism that works are composed specifically for female choirs. Thus, a particular genre is born that will keep its own entity up to the present times. This genre has been especially cultivated as of late by female artists and composers. Both aspects, that is presenting works written for female choir as well ... less
blog:
Low women vs. tenor men
[this is a version of a post which first appeared on my blog From the Front of the Choir]
There is a lack of men in many community choirs (Why men won’t sing).
The Tenor by Paul Helm
One of the results of th...
group:
The Hazelnuts
The Hazelnuts (or in Hebrew – the Hazel Sisters – האחיות לוז) are a Jerusalemite Doo-wop group, who’s just released their debut EP on April 2014.
The Hazelnuts are a vocal trio, accompanied by guitar, contrabass & washboard, inspired by the America... moreThe Hazelnuts (or in Hebrew – the Hazel Sisters – האחיות לוז) are a Jerusalemite Doo-wop group, who’s just released their debut EP on April 2014.
The Hazelnuts are a vocal trio, accompanied by guitar, contrabass & washboard, inspired by the American vocal groups of the 1930's. The group aims to expose the audience to the magic of this genre, which is almost completely forgotten.
The Hazelnuts' concert combines original songs - preserving the musical spirit of the genre and poured into a contemporary feminine point of view, and in addition - stylistic adaptations of cotemporary songs and authentic pieces from the thirties.
Band Members:
Yifeat Ziv, Talya Amzaleg, & Shira Z. Carmel – Vocals, Songs and Arrangements
Ariel Givant – Double Bass / Dotan cohen – Guitar / Yoav Elkayam – Washboard
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BANDCAMP - http://thehazelnuts.bandcamp.com/
FACEBOOK -less
blog:
WAC Contest 2015
July 31st 2015 Deadlline
Tomorrow ends the deadline to sign up for our Video Competition for Treble and Women's Choirs.
http://www.wac-contest.eu/
group:
The Gleniffer Singers
Founded in 1967 and based in Paisley, this female choir is actively involved in concert, festival and competition work across Scotland, and further afield. The group has appeared in a wide range of prestigious venues and has performed with many other ch... moreFounded in 1967 and based in Paisley, this female choir is actively involved in concert, festival and competition work across Scotland, and further afield. The group has appeared in a wide range of prestigious venues and has performed with many other choirs and ensembles throughout the years.
group:
Zhar-Sokol chor
Our collective history began in 1936 when Vladislav Sokolov (who was a a graduate of the Moscow Conservatory) created a children's choir, which is almost 70 years was a model of Russian choral art throughout the Soviet Union and in many foreign countries ... moreOur collective history began in 1936 when Vladislav Sokolov (who was a a graduate of the Moscow Conservatory) created a children's choir, which is almost 70 years was a model of Russian choral art throughout the Soviet Union and in many foreign countries . 2008 marks the 100th anniversary of the birth of Professor Sokolov, in the anniversary concert attended choir, consisting of pupils of children's choir. After the speech the former pupils of children's choir - people of different professions and ages , realized that they all share a love of music and choral singing , decided not to leave, and formed a new team . Our first CD-drive, consisting of 19 works of Russian and foreign classics, Russian folk songs, songs by modern composers, was recorded in 2013. Our choir took part in competitions and festivals in Russia, Austria, Italy, Czech Republic, Switzerland, Ireland, Belgium where repeatedly became the winner.
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