Stephen Sands, Conductor (http://StephenSands.net) Downtown Voices (http://DowntownVoices.net) Trinity Wall Street, New York City Elizabeth Bates, Kelvin Chan and David Vanderwal, soloists.

Canción “El Espanto” (Arreglo: Pedro Antonio Silva), interpretada por el Coro Intermezzo de Costa Rica, en la competencia de Coro Folclórico Llangollen 2014. El Coro Intermezzo obtuvo el Segundo Lugar en la Categoría Coro Mixto. __________________ Son...  moreCanción “El Espanto” (Arreglo: Pedro Antonio Silva), interpretada por el Coro Intermezzo de Costa Rica, en la competencia de Coro Folclórico Llangollen 2014. El Coro Intermezzo obtuvo el Segundo Lugar en la Categoría Coro Mixto. __________________ Song "El Espanto" (Arrangement: Pedro Antonio Silva), played by the Intermezzo Choir from Costa Rica, in the competition of 2014 Llangollen Folk Choir Intermezzo Choir won Second Place in the Mixed Choir. ________________ Integrantes: Director: David Ramírez. Sopranos: Gabriela Álvarez Alcázar, Andrea Arce Montero, María Jesús Garro Brenes, Nayurith Quirós Soto, Karen Robles Murillo, Lineth Vargas Elizondo. Contraltos: Kathryn Álvarez Rodríguez, Ruth Ariza Yannarella, Eyda Carolina López Rodríguez, Andrea Loría Herrera, Nicole Ramírez Benavides, Carolina Umaña Segura. Tenores: Gilberth Aquino Rodríguez, Albin Delgado Torres, Luis Diego Gómez Quesada, Randall González González, Jorge Madrigal Gómez, Josué Ramírez Palmer, Fabián Vargas Castillo. ...    less

"Stars" Ēriks Ešenvalds Vocal Art Ensemble of Conductor: Jan Yngwe Recorded in S:t Jacobs kyrka Stockholm Januarty 31st 2015 Camera, audio and editing David Böling

Kantorei Choral Ensemble performing the Gloria from Ariel Ramirez's Misa Criolla live at Visitation Catholic Church in Kansas City. (The work was performed in its entirety.) David Adams performs the tenor solo. This piece was an audience favorite on our...  moreKantorei Choral Ensemble performing the Gloria from Ariel Ramirez's Misa Criolla live at Visitation Catholic Church in Kansas City. (The work was performed in its entirety.) David Adams performs the tenor solo. This piece was an audience favorite on our recent "Music of Latin America" concert. Hear more from Kantorei at www.kantoreikc.org Chris Munce-Artistic Director Beau Bledsoe-Charango Trilla Ray-Carter-Cello Charlie Metz- Harpsichord Will Braune and Josh Williams-Percussion  

Coro las Veredas, director: Enrique Martín. Piano: Paula Mercedes Lozano. Cristina Marín, Flauta. David Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

A Christmas choral composition for mixed choir (SABar) Performed by Ensemble In Contrà conducted by Roberto Brisotto Music by Roberto Brisotto (1972) Lyrics by David Maria Turoldo (1916-92) "Mentre il silenzio fasciava la terra e la notte era a metà...  moreA Christmas choral composition for mixed choir (SABar) Performed by Ensemble In Contrà conducted by Roberto Brisotto Music by Roberto Brisotto (1972) Lyrics by David Maria Turoldo (1916-92) "Mentre il silenzio fasciava la terra e la notte era a metà del suo corso Tu sei disceso, o Verbo di Dio, in solitudine e più alto silenzio..." "While Silence embracing the earth and the night was half-way through, You descended, Word of God, in solitude and in the highest silence..." Sheet Music: http://www.ph-publishers.com/index.php  less

This was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Orga...  moreThis was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Organist of Leeds Parish Church and the Singers' regular accompanist. Ave Maria, gratia plena, Dominus tecum et benedicta fructus ventris tui, Jesus. Sancta Maria, Mater Dei, ora pro nobis, nunc et in hora mortis nostrae, ora pro nobis peccatoribus. Amen. [Translation: Hail Mary, full of grace, the Lord is with thee. Blessed art thou, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen] Simon Lindleys setting of the Angelic Salutation, Ave Maria, was devised for the Choir of Leeds Parish Church in the late 1970s and has since achieved widespread performance by choirs throughout the English-speaking world. The work has been recorded and broadcast many times and was chosen to ...    less

This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with...  moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with added percussion) by David W Solomons  

Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece ha...  moreErik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "As dawn breaks" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group ...    less