Domine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  moreDomine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents in music of the Americas. Musically educated in the classical tradition, he began teaching at 12 and writing at age 16. He reached the rank of Master of the Royal Chapel (most important post for a musician in Brazil Cologne) appointed by King John IV and conducted the first performances of Mozart’s "Requiem" and Haydn’s "Creation" in Brazil. Poor, mulatto, losing his father early and being educated with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origin in a family of slaves.  less

Bona Sera Come Stai Core Mio Antonio Scandello (1517-1580) CAMERATA VOCAL Altamiro Bernardes Catedral Metropolitana de Sorocaba Dezembro 2010

Video di presentazione del CD del sessantennale di fondazione del coro La Rupe di Quincinetto diretto da Domenico Monetta Video that shows the CD of the choir "La Rupe" from Quincinetto dir. Domenico Monetta in the 60 years since the founding of the ch...  moreVideo di presentazione del CD del sessantennale di fondazione del coro La Rupe di Quincinetto diretto da Domenico Monetta Video that shows the CD of the choir "La Rupe" from Quincinetto dir. Domenico Monetta in the 60 years since the founding of the choir. title of the CD O Magnum Mysterium  

Cantores Celestes Women's Choir LIVE in CONCERT May 4, 2019 Celebrating 30 years Kelly Galbraith, director Kate Carver, piano Stephen Boda, organ Emperor Quartet Ryan Harper, recording engineer Kelly Galbraith, producer

Amuworo Anyi Otu Nwa performed by Imo city Chorale and Orchestra Owerri

Ottawa choir, The Stairwell Carollers, perform "Ave Maris Stella" by Claudio Giovanni Antonio Monteverdi (1567 - 1643) an Italian composer, gambist (a player of the viola da gamba), and singer. Camera: Zoe Hart. Audio: Tom Barnes. Recorded at St. Bar...  moreOttawa choir, The Stairwell Carollers, perform "Ave Maris Stella" by Claudio Giovanni Antonio Monteverdi (1567 - 1643) an Italian composer, gambist (a player of the viola da gamba), and singer. Camera: Zoe Hart. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011.  

Extracto del concierto del Coro del CMS Canarias y de la Orquesta Sinfónica de Gran Canaria, bajo la dirección de Gregorio Gutierrez, que interpretaron el Réquiem de Mozart en la iglesia de Santo Domingo en el barrio de Vegueta de Las Palmas de Gran Canar...  moreExtracto del concierto del Coro del CMS Canarias y de la Orquesta Sinfónica de Gran Canaria, bajo la dirección de Gregorio Gutierrez, que interpretaron el Réquiem de Mozart en la iglesia de Santo Domingo en el barrio de Vegueta de Las Palmas de Gran Canaria el día 3 de abril. El concierto fue enmarcado en el VI Encuentro de Música Religiosa de Canarias  

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Ottawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes....  moreOttawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie