Performed by Ensemble Laude Women's choir, directed by Elizabeth MacIsaac and Carolyn Howe, January 2017. www.ensemblelaude.org

The Micklegate Singers are one of the longest-standing chamber choirs in York, having recently celebrated our 50th anniversary season. We are a mixed-voice choir of around 30 singers, performing a wide variety of secular and sacred "classical"...  moreThe Micklegate Singers are one of the longest-standing chamber choirs in York, having recently celebrated our 50th anniversary season. We are a mixed-voice choir of around 30 singers, performing a wide variety of secular and sacred "classical"; choral music. We mainly sing a cappella, and tend to focus on lesser-known older works, and modern repertoire, often from living composers. However, this is by no means exclusive! The choir sings three main concerts per year, with a charity carol concert just before Christmas. We are also a sociable bunch, with regular social events and a number of 'spin-off' groups.  less

Adanya Dunn ~ soprano Kate Carver ~ piano Cantores Celestes Women's choir Kelly Galbraith ~ Director www.cantorescelestes.com LIVE Dec 2, 2017

Solo baritone Timur BONDARCHUK Concert in Basilica di San Nicola in Bari, Italy at 19.05.2009

43. International choir Contest Tolosa, Spain. Certamen Coral de Tolosa.

Sung by the Chamber choir of Warwickshire Young Voices, written by David Iles. More information and score available from www.warwickshireyoungvoices.org

Provided to YouTube by Awal Digital Ltd If My People · Choristers Guild · Choristers Guild Choral Anthems: Lent, Easter & Spring ℗ Choristers Guild Released on: 2013-11-05 Composer: Jonathan Adams Auto-generated by YouTube.

Anthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Ensemble Nobiles was founded in January 2006. The choristers met each other during their nine-year education in fine arts as members of the St. Thomas Boys choir Leipzig. Today the ensemble consists of tenors Christian Pohlers and Paul Heller as well a...  moreEnsemble Nobiles was founded in January 2006. The choristers met each other during their nine-year education in fine arts as members of the St. Thomas Boys choir Leipzig. Today the ensemble consists of tenors Christian Pohlers and Paul Heller as well as basses Felix Hübner, Lucas Heller and Lukas Lomtscher. Their repertoire ranges from late medieval mass songs to modern age works. The five young musicians attach great importance to the works of German Romantic composers, such as Schubert, Schumann and Mendelssohn Bartholdy, as well as to their extensive repertoire of church music. The ensemble successfully collaborates with a number of other artists, such as the composer Manfred Schlenker(GER), who dedicated his motet Gott wohnt in einem Lichte to the quintet, on a regular basis. Volker Bräutigam wrote several pieces for them to perform during the festivities at the 35th Leipziger Jazztage. The vocal ensemble Sjaella has been another partner in numerous successful collaborations throughout the years. In...    less

A recent performance of my "O magnum mysterium" with vocal ensemble sirventes berlin under the direction of Stefan Schuck. It is available through my website at http://cschurch.net/en/compositions/choir/o-magnum-mysterium/ and will be published by Carus-V...  moreA recent performance of my "O magnum mysterium" with vocal ensemble sirventes berlin under the direction of Stefan Schuck. It is available through my website at http://cschurch.net/en/compositions/choir/o-magnum-mysterium/ and will be published by Carus-Verlag in July 2016. Program Note: It is difficult to follow with (yet) another setting of this famous text that has inspired so many composers over the centuries. In my attempt, “O magnum mysterium” returns three times after the first statement, in a similar gesture but each time shifted to a new tonality with even more flats. Thus, the listener gets ever more pulled into this magnificient text until the piece culminates in a jubilant “Alleluia” in C-major, having come full-circle back to very first harmony we heard. Choralnet.com Silver Platter Award Winner  less