Cefn Hengoed Ladies Choir sing Tydi a Roddaist at the Church of the Holy Cross as Part of the Cowbridge Food and Drink Festival 24 May 2015

The European choirs that hosted the SCCC, could not stop talking about their talent, technical ability and discipline.

A Part of the choir's performance at 42nd Croatian Choral Assembly held in October 2009 in Novigrad.

We are a choir from Modena - Italy. We are a Part of the “Corale Rossini” an important choral association of Modena. Our repertoire is mainly spiritual and gospel but we also love musicals and international pop music. We are 40 singers -SATB Our conduct...  moreWe are a choir from Modena - Italy. We are a Part of the “Corale Rossini” an important choral association of Modena. Our repertoire is mainly spiritual and gospel but we also love musicals and international pop music. We are 40 singers -SATB Our conductor is M° Massimo Carpegna Piano M° Roberto Penta  

A moving version of SWEET by Manolo Da Rold. Sung by Matthew J. Curtis - ChoralTracks The piece is dedicated to the choir "La Stele"; Matteo Valbusa conductor. It is the first Part of the triptych Sweet.

1)      Changing role of public schools- 2)      From teaching information to parental role               In recent years, the role of schools...

A Part of the choir's winning performance at 43rd Croatian Choral Assembly held in October 2010 in Novigrad.

Chamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as Part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes...  moreChamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as Part of the concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no  

Charnwood Voices, formerly Shepshed Singers, is a four Part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better k...  moreCharnwood Voices, formerly Shepshed Singers, is a four Part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better known and popular pieces, both sacred and secular. New members are welcome and encouraged to attend three rehearsals before an informal voice appraisal.  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as Part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as Part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less