The Salt Lake Vocal Artists perform "Pater Noster" by Fidel G. Calalang Jr. live in concert on November 1, 2010 in la iglesia de San Francisco, Tolosa, Spain, under the direction of Dr. Brady Allred. Pater Noster was performed as part of the Vocal Artist...  moreThe Salt Lake Vocal Artists perform "Pater Noster" by Fidel G. Calalang Jr. live in concert on November 1, 2010 in la iglesia de San Francisco, Tolosa, Spain, under the direction of Dr. Brady Allred. Pater Noster was performed as part of the Vocal Artists program for the Tolosa Choral Contest's "Sacred Music" category of competition, in which they were awarded First Prize. Spain Tour: Oct. 23-Nov. 2, 2010  

Nuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", pro...  moreNuevo audio grabado en directo durante nuestro primer concierto tras el periodo de confinamiento, esta es la pieza más conocida de Mateo Flecha (1481-1553), y la más larga que forma parte de "Mar Océana, relato y música de la primera vuelta al mundo", programa estrenado el pasado 27 de junio en Espacio Santa Clara, Sevilla. www.a5VocalEnsemble.com Video Autor: Johan Hallberg-Campbell https://vimeo.com/user3072169 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/) Ver menos  less

Voices Carry is an Americana jazz-influenced Vocal group based in metro Phoenix, Arizona. Most of our songs are performed a cappella, and we favor Vocal jazz, but we occassionally perform with instrumental accompaniment and perform other styles.

The Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have neve...  moreThe Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have never found before, Do you know how much you tell In the meeting of our eyes, How ashamed I am, and sad To have pierced your poor disguise? Secrets rushing without sound Crying from your hiding places — Let me go, I cannot bear The sorrow of the passing faces. — People in the restless street, Can it be, oh can it be In the meeting of our eyes That you know as much of me?  less

Choosing exactly the right repertoire for an Ensemble is one of the most essential responsibilities of a conductor.  We want music that stimulates growth within the Ensemble, and also enriches the musical palette of the singers and of the audience me...

A cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for choir is complemented by a jazz/folk Trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including voc...  moreA cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for choir is complemented by a jazz/folk Trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including Vocal improvisation by three soloists. This piece was featured on the concert program at Musikhögskolan Ingesund on 4 May 2014.  

Schola Cantorum on Hudson was founded as a choral Ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of...  moreSchola Cantorum on Hudson was founded as a choral Ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of such seasonal themes as ‘freedom’ and ‘healing’ and ‘our mother earth;’ and in presentation of mostly new music in a way that is accessible. Our educational programs reflect this belief by training emerging professionals, planting seeds within young people for a lifetime of music involvement, and growing the skills of our own members. Our commitment to new choral music reflects this belief even beyond our substantial performance commitment through Project Encore™ and our Featured Composer Program. Substantially more than a singing group, SCH is unique in many respects that reflects both a breadth and a depth that bespeaks the full meaning of a ‘schola’ (‘school’).  less

To What a wondeful world είναι δημιουργία των George Weiss George Douglas και το ερμήνευσε πρώτη φορά ο Louis Amstrong το 1967.

'Song for Canada' by Paul Halley arranged by Lawrence Green Cantores Celestes Women's Choir. Directed by Kelly Galbraith Kate Carver, piano Anne Lindsay, violin Tony Quarrington, guitar Stuart Laughton, trumpet Jordan O'Connor, bass April 22, 201...  more'Song for Canada' by Paul Halley arranged by Lawrence Green Cantores Celestes Women's Choir. Directed by Kelly Galbraith Kate Carver, piano Anne Lindsay, violin Tony Quarrington, guitar Stuart Laughton, trumpet Jordan O'Connor, bass April 22, 2017 'Sing Sea to Sea' LIVE CONCERT  

"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12,...  more"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12, 2019 in Lawrence Memorial Chapel under the direction of Dr. Phillip A. Swan. Foreward: Santiago Veros wrote Almas de Barro at the age of 19, dedicating it to a young woman who at the time was shy and with whom he rarely talked. This piece intimately describes the moments during music theory classes when the two would look at each other continuously, youthfully, and silently, as if unable to do anything else. The piece, written as a counterpoint assignment, was intended to be performed during music theory class as a declaration of love. The idea was to make a musical representation of those moments. The piece begins without words, the voices representing youthful looks. They come together and occasionally dodge each other to highlight the discomfort ...    less