voces boreales in concert 2012 LEGENDS Michael Zaugg, conductor Boucherville, QC, Canada

Arranged by Masashi Fujimoto UNION CHAPEL voices--------------- CLAUDINA EDWARDS, DEBBIE CHARLES, ANNA-LIISA DONATELLA, OGO AJALA, PIANO: REINA OKADA With technical problems, the video recorder has stopped. So only audio and still pic after 01...  moreArranged by Masashi Fujimoto UNION CHAPEL voices--------------- CLAUDINA EDWARDS, DEBBIE CHARLES, ANNA-LIISA DONATELLA, OGO AJALA, PIANO: REINA OKADA With technical problems, the video recorder has stopped. So only audio and still pic after 01:45​. sorry.  

Bibi, Synkù, Bi · Art'n'voices Midnight Stories: Contemporary Music of Polish Composers Released on: 2020-04-17 Choir: Art'n'voices Composer: Anna Rocławska-Musiałczyk Auto-generated by YouTube.

This timeless treasure was reanimated by the Golden voices Choir STACC FUTO in the occasion of the 14th edition of her annual Music concert CAnZonA 14 tagged "the Golden Experience"

http://chor.helbling-verlag.de/?pagename=product&product=C7241 die Magie der Weihnacht und der Menschwerdung Gottes ist in diesem bewegenden O magnum mysterium von Chris Artley direkt in die Musik übergegangen. Mit dem sich ruhig aufbauenden Stimmen, ...  morehttp://chor.helbling-verlag.de/?pagename=product&product=C7241 die Magie der Weihnacht und der Menschwerdung Gottes ist in diesem bewegenden O magnum mysterium von Chris Artley direkt in die Musik übergegangen. Mit dem sich ruhig aufbauenden Stimmen, während die Worte "O magnum" wiederholt werden, beginnt dieses Chorstück, das Artley für den Nelson Summer School Choir komponierte. Fast balladenhaft setzt der Sopran mit der eingängigen Melodie ein, ruhig begleitet vom restlichen Chor, um das wunderbare Ereignis der Geburt Jesu im mehrfach wieder erklingenden, gemeinsamen Alleluia zu feiern. The magic of Christmas and the incarnation of Jesus have been directly blended in the music of this moving O magnum mysterium by Chris Artley. This choral piece, which Artley composed for the Nelson Summer School Choir, begins with the voices arranged calmly arising while the words "O magnum" are reiterated. The soprano enters with an unostentatious melody in an almost ballad-like manner quietly accompanied by the res...    less

Coro Mixto de la Secretaría de Estado de Educación y Cultura de Tucumán Director Carlos Andrés Aciar Iglesia Evangélica Metodista San Miguel de Tucumán 1994 @Miriam Gomez @ Hortensia Gómez @Roxana Manrique @Sofía Paris @Patricia Albornoz @Es...  moreCoro Mixto de la Secretaría de Estado de Educación y Cultura de Tucumán Director Carlos Andrés Aciar Iglesia Evangélica Metodista San Miguel de Tucumán 1994 @Miriam Gomez @ Hortensia Gómez @Roxana Manrique @Sofía Paris @Patricia Albornoz @Estela Juarez @Liliana Maidana @Claudia Manrique @Sergio Albarracín @Carlos Castilla @Eduardo Schettini @Roque Torres @Carlos Pedro @Mario Sánchez @Gustavo Sáenz @Raúl Serra  

Charnwood voices, formerly Shepshed Singers, is a four part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better k...  moreCharnwood voices, formerly Shepshed Singers, is a four part SATB choir of some 45 voices based in Charnwood, Leicestershire. Founded in 1977, the choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better known and popular pieces, both sacred and secular. New members are welcome and encouraged to attend three rehearsals before an informal voice appraisal.  

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) when ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) when he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

From the Wilhem Müller's poem(1794-1827). Franz Schubert composition. 1 - 'Das Wandern'; 2 - 'Der Müller und der Bach'; 3 - 'Des Baches Wiegenlied' Gilbert Patenaude, dir. Mariane Patenaude, piano Les Chantres Musiciens is a male voice choir formed of ...  moreFrom the Wilhem Müller's poem(1794-1827). Franz Schubert composition. 1 - 'Das Wandern'; 2 - 'Der Müller und der Bach'; 3 - 'Des Baches Wiegenlied' Gilbert Patenaude, dir. Mariane Patenaude, piano Les Chantres Musiciens is a male voice choir formed of young men between 17 and 29, all steaming from the famous Les Petits Chanteurs du Mont-Royal. It was founded in 1992 by Gilbert Patenaude.