VIew_more">Coral Reyes Bartlet José Híjar Polo, Director Rosa I. Rivero, soprano Carol Rayment, alto Ricardo Rodríguez, tenor Aitor Mora, bajo OliVIa Pehme y Marcos Depetris, VIolines Paula Hernández, cello Juan Carlos Baeza, contrabajo DaVID Martel, pi...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Coral Reyes Bartlet José Híjar Polo, Director Rosa I. Rivero, soprano Carol Rayment, alto Ricardo Rodríguez, tenor Aitor Mora, bajo OliVIa Pehme y Marcos Depetris, VIolines Paula Hernández, cello Juan Carlos Baeza, contrabajo DaVID Martel, piano Iglesia de la Peña de Francia, diciembre de 2012  

VIew_more">the Addison Group of Singers is made up of four different choirs for singers of all ages, abilities and musical interests. It was founded more than 30 years ago with DaVID Wordsworth as its Musical Director since 1995. The group comprises two classical...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">the Addison Group of Singers is made up of four different choirs for singers of all ages, abilities and musical interests. It was founded more than 30 years ago with DaVID Wordsworth as its Musical Director since 1995. The group comprises two classical choirs – an auditioned Chamber Choir and a much larger non-auditioned Oratorio Choir; and two jazz choirs – an auditioned mixed Jazz Ensemble and a larger non-auditioned all-female Jazz Choir. It also offers two different singing classes to meet the needs of beginners, intermediate and the more competent, experienced singer. The Addison Singers normally operate on three 10-week terms (the same as the schools) with a concert or recital at the end of each term. Rehearsals are held in Hammersmith on MonDay (Jazz and Vocal Technique), WednesDay evenings (Classical Choirs and Learn to Read Music class ) and ThursDay afternoons (Musicianship for Singers class); the times and subscriptions depend on which choir or class you join. Concerts are usually held in West L...    VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">Agnus Dei from my Mass for men's voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and M...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Agnus Dei from my Mass for men's voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and Men) and organ is also available at: http://dwsolo.musicaneo.com/sheetmusic/sm-185192_mass_for_three_part_mixed_choir_and_organ.html Because of its gently exotic moDal flavours, the music was deemed to have a ring of "oriental promise" by one appreciative member of the congregation at the first performance. This setting has been sung in Cathedrals in Manchester, Southwell and Dublin and the Agnus has also featured in serVIces at Christ Church Didsbury. The recording here is the Agnus Dei sung by the Voluntary Choir of Manchester Cathedral during their VIsit to Southwell Minster.  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

Coro las VereDas, director: Enrique Martín. Piano: Paula Mercedes Lozano. Cristina Marín, Flauta. DaVID Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.

VIew_more">4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche Dans l'étang, Les nids blottis Dans les taillis ? [De ta beauté, de tes parfums ne nou...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche Dans l'étang, Les nids blottis Dans les taillis ? [De ta beauté, de tes parfums ne nous lassons.]* English singing translation: Tell me, lovely Spring, Now whom are these flowers and songs for? The white moon shining in the pool The nests are hidden in the woods [Let us not tire of your beauty and perfumes.] (The last line was not included in the edition that we were using, but the score referenced here contains the whole piece)  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), DaVID Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), DaVID Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who proVIde the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

VIew_more">Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">Original poem by Audrey Vaughan, using my French translation, with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. Hoc est enim corpus meum L'éternité du monde repose Dans ma main la peine lourde d'amour, de rédemption est un soupir Dans ma main O mon Christ Seigneur de l'infini petit pour mon confort, là Dans ma main Humilité d'amour qui repose là si bas, Blanc, plein de confiance et soin Dans ma main Là Dans ma main repose mon Dieu. Hoc est enim corpus meum. [English original] Hoc est enim corpus meum The world's eternity lies here within my hand. The weight of pain, of love, redemption is a sigh upon my hand, My Christ, Lord of the infinite, small to my comfort in my hand. Humility of Love that tender here lies low. White, trusting, full of care within my hand. So, in my hand lies God. Hoc est enim corpus meum.  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

Ödi-Ödi, Stephen Hatfield Coro las VereDas. Enrique Martín, director. DaVID Mayoral, percusión.

VIew_more">CANTUS NATURALIS RecorDando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil DaVID Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tener...  VIew_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreVIew_more" style="display:none;">CANTUS NATURALIS RecorDando a Don Alexander Von Humboldt y a Don Telesforo Bravo en el 50 aniversario del Teide como Parque Nacional Coral Reyes Bartlet Coro Juvenil DaVID Goldsmith Coros Escolares de Puerto de la Cruz Orquesta de Cámara de Tenerife Beatriz Ramos, soprano Juan Antonio Sanabria, tenor Ricardo Rodríguez, narrador José Híjar Polo, maestro de coro Parick Doumeng, director Con la colaboración de amigos del Coro de la Orquesta Filarmónica de Gran Canaria Composición musical: Gustavo A. Trujillo Texto original: Isidoro Sánchez ADaptación: Ricardo Rodríguez Poesía: Dilce María Loynaz y León de la Hoz Parque San Francisco, Puerto de la Cruz 30 de mayo de 2004 Estreno www.reyesbartlet.com  VIew_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPreVIous().style.display='';$(this).getParent().style.display='none';">less

This is a vocal improVIsation based on classical guitar study No 10 by Fernando Sor, sung by the dwsChorale (multitracking) with a bell-like accompaniment for the guitar part.