A part of The choir's winning perforMance at 54th Croatian Youth Music Festival held in May 2011 in Varaždin.

Country Dances - arr. Ward Swingle Performed by The Abbeydale Singers on Their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

She Moved Through The Fair - arr. Daryl Runswick Performed by The Abbeydale Singers on Their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

The Song of The Blacksmith - arr. Gustav Holst Performed by The Abbeydale Singers on Their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

My Spirit Sang All Day - Geral Finzi Performed by The Abbeydale Singers on Their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

PerforMance of "O Pray For The Peace of Jerusalem" by Patrick O'Shea (2010). The work was written for HIs Eminence John Patrick Cardinal Foley, Grand Master of The Equestrian Order of The Holy Sepulchre of Jerusalem, and was premiered on The March 2011 t...  Is).getParent().getNext().style.dIsplay='';$(thIs).getParent().style.dIsplay='none';">moreIsplay:none;">PerforMance of "O Pray For The Peace of Jerusalem" by Patrick O'Shea (2010). The work was written for HIs Eminence John Patrick Cardinal Foley, Grand Master of The Equestrian Order of The Holy Sepulchre of Jerusalem, and was premiered on The March 2011 tour of The Saint Mary's University Chamber Singers to Rome. ThIs perforMance Is from The choir's homecoming concert, March 17, 2011, with The composer conducting.  

A setting of text adapted from prose by American naturalIst John Muir (1838-1914). CommIssioned for The Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered The piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 20...  Is).getParent().getNext().style.dIsplay='';$(thIs).getParent().style.dIsplay='none';">moreIsplay:none;">A setting of text adapted from prose by American naturalIst John Muir (1838-1914). CommIssioned for The Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered The piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in The second annual "New Works New Hope" concert for The benefit of Gilda's Club Seattle. The piece was revIsed in 2007 and The premiere of The revIsed score was given on November 16, 2007, by The Queens College Chorus, Cindy Bell conducting, at The Aaron Copland School of Music in New York. “Driven by a refreshing text of American naturalIst John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive.“ - Cindy Bell  Is).getParent().getPrevious().style.dIsplay='';$(thIs).getParent().style.dIsplay='none';">less

I Got Rhythm - Gershwin arr. ChrIstopher Clapham Performed by The Abbeydale Singers on Their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

Choirs R Us performing at Their ChrIstmas Concert 2013 in Barnet on 7 December with Choir Director: Jenny Bennett. Guest singer: Marc Joseph. For more info: www.choirsrus.co.uk

Poem by 17th Century Unitarian minIster and poet John Mason, music composed and performed by David W Solomons [aka The dwsChorale]. ThIs particular setting was composed with a small mixed-ability choir in mind, so The voices are mainly in two parts ...  Is).getParent().getNext().style.dIsplay='';$(thIs).getParent().style.dIsplay='none';">moreIsplay:none;">Poem by 17th Century Unitarian minIster and poet John Mason, music composed and performed by David W Solomons [aka The dwsChorale]. ThIs particular setting was composed with a small mixed-ability choir in mind, so The voices are mainly in two parts (men's and women's voices), splitting to four parts (SATB) occasionally, where The words suggest it. The musical style Is reminIscent of The 19th century although The piano part does go into 20th century style syncopation at times.