Ottawa choir, The Stairwell Carollers, perform "Hark, All Ye Lovely Saints" by Thomas Weelkes (1576 -- 1623) was an English Renaissance composer and organist. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwel...  moreOttawa choir, The Stairwell Carollers, perform "Hark, All Ye Lovely Saints" by Thomas Weelkes (1576 -- 1623) was an English Renaissance composer and organist. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 1st, 2013. Videographers: Valérie Auger-Voyer, Kevin Millington. Editing: Pierre Massie  

Ottawa choir, The Stairwell Carollers, perform "Fine Knacks for Ladies", a renaissance madrigal by John Dowland (1563 -- buried 20 February 1626). St-Charles Church, Ottawa, Ontario, Canada, June 8th, 2001.

Kolot Hasadeh choir performs "Pod Tvoju", conducted by Anat Aharoni. Recorded in 2009. מקהלת קולות השדה בניצוח ענת אהרוני Pavel Grigorievich Chesnokov, 1877-1944 Website: http://kolot1.wordpress.com/ Pod tvoju milost אני מבקשים ממך רחמים אם האלוהי...  moreKolot Hasadeh choir performs "Pod Tvoju", conducted by Anat Aharoni. Recorded in 2009. מקהלת קולות השדה בניצוח ענת אהרוני Pavel Grigorievich Chesnokov, 1877-1944 Website: http://kolot1.wordpress.com/ Pod tvoju milost אני מבקשים ממך רחמים אם האלוהים מדונה אל תדחי את תפילתנו אבל תמנעי מאיתנו סבל היחידה, הטהורה, המבורכת  

Ottawa choir, The Stairwell Carollers, perform "I Love, Alas I Love Thee" by Thomas Morley (1557 - 1602), an English composer, theorist, editor and organist of the Renaissance. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website h...  moreOttawa choir, The Stairwell Carollers, perform "I Love, Alas I Love Thee" by Thomas Morley (1557 - 1602), an English composer, theorist, editor and organist of the Renaissance. Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 1st, 2013. Videographers: Valérie Auger-Voyer, Kevin Millington. Editing: Pierre Massie  

A Remembrance for those who lost their lives during the outbreak. Tomás Luis de Victoria - Jesu Dulcis Memoria Swara vocal ensemble Ivan Yohan, conductor

Den přeslavný (Christmas folk song), conductor: Daša Karasová, arranger: Petr Janovský

»The Joiku« von Jukka Linkola (*1955), Berliner Mädchenchor (Konzertchor), Leitung: Sabine Wüsthoff, Wettbewerb „Internationale Jugendchöre“, Harmonie Festival 2017, Lindenholzhausen (Deutschland) »The Joiku« from Jukka Linkola (*1955), Berlin Girls Ch...  more»The Joiku« von Jukka Linkola (*1955), Berliner Mädchenchor (Konzertchor), Leitung: Sabine Wüsthoff, Wettbewerb „Internationale Jugendchöre“, Harmonie Festival 2017, Lindenholzhausen (Deutschland) »The Joiku« from Jukka Linkola (*1955), Berlin Girls choir (Concert choir), Director: Sabine Wüsthoff, Competition „International Youth choirs, Harmonie Festival 2017, Lindenholzhausen (Germany)  

Members of the Seton Hall University Chorus Jason C. Tramm, Director of Choral Activities Alexandra Beliakovich, Piano Brendan McHugh, Percussion Jason Tramm, Bass Guitar Quinton Tramm, Audio/Video Engineering Recorded: April 2021

Sister Act Medley: Hail Holy Queen, I Will Follow Him, Shout InDonnation Female Vocal Ensemble Piano Froso A. Ktistaki Choreography Faye Soukou Conductor Dimitris Ktistakis May 11, 2013, Larissa Greece

Domine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  moreDomine Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents in Music of the Americas. Musically educated in the classical tradition, he began teaching at 12 and writing at age 16. He reached the rank of Master of the Royal Chapel (most important post for a Musician in Brazil Cologne) appointed by King John IV and conducted the first performances of Mozart’s "Requiem" and Haydn’s "Creation" in Brazil. Poor, mulatto, losing his father early and being educated with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origin in a family of slaves.  less