Nara Ekele is an Igbo Native song composed by Eke Chijindu Favour Hedges

Η Παιδική Χορωδία Κέρκυρας στο "Roger Bobo plays the tuba" του Brian Holmes στην Ιόνιο Ακαδημία, την Τετάρτη 3 Ιουλίου 2013. Tuba: Γιώργος Μακρής. Πιάνο: Έλλη Γλαρού. Μουσική Διεύθυνση: Χριστίνα Καλλιαρίδου

Live recording of "Iny Hono Izy Ravorona", a well-known lullaby from the central area of Madagascar, rearranged by ICanto Vocal Ensemble and premiered on December 2019 during the Choir's concert. Iny hono izy ravorom-bazaha, Ento manaraka anao any a...  moreLive recording of "Iny Hono Izy Ravorona", a well-known lullaby from the central area of Madagascar, rearranged by ICanto Vocal Ensemble and premiered on December 2019 during the Choir's concert. Iny hono izy ravorom-bazaha, Ento manaraka anao any an-tsaha. Ento misidina ambony, Rehefa mangina havereno ...  

De profundis, for Symphonic Orchestra, Choir and Soli. Composed and orchestrated by Michele Josia. Logatec GS Symphonic Orchestra; Marijan Grdadolnik, conductor; coro Città di Roma, Mauro Marchetti, conductor. Klemen Siberl, bariton; Nina Kompare - Volas...  moreDe profundis, for Symphonic Orchestra, Choir and Soli. Composed and orchestrated by Michele Josia. Logatec GS Symphonic Orchestra; Marijan Grdadolnik, conductor; coro Città di Roma, Mauro Marchetti, conductor. Klemen Siberl, bariton; Nina Kompare - Volasko, sopran. Slovenian Philharmonic Hall, Ljubljana, Slovenia.  

Requiem Aeternam by Franco Dominutti, extracted from CD Vox Carniolus Live, Skupaj/Insieme. 2011 Komorni Zbor Vox Carniolus conducted by Michele Josia (2005-2010) Requiem Aeternam by Franco Dominutti performed at the 9th Maribor International Choir C...  moreRequiem Aeternam by Franco Dominutti, extracted from CD Vox Carniolus Live, Skupaj/Insieme. 2011 Komorni Zbor Vox Carniolus conducted by Michele Josia (2005-2010) Requiem Aeternam by Franco Dominutti performed at the 9th Maribor International Choir Competition 2008, Union Hall. Live recording.  

PoliRock; It is Turkey's first rock Choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus&quo...  morePoliRock; It is Turkey's first rock Choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus". As a Corporate Motivation product, Tolga Gülen has been working with companies on PoliPop since 2011. Deciding to offer PoliPop outside of corporate participation, it was implemented within the body of "Kadıköy Municipality Volunteer Counseling and Training Center". PoliRock, together with PoliPop, became Turkey's second modular Chorus project. There is no notation and exam system in PoliRock. Tolga Gülen has been using his own song learning technique that he developed during his work with corporate companies for years. PoliRock is open to the participation of anyone who wants to sing. "PoliRock" is a Tolga Gülen and Imelda Amber Gülen project.  less

A cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for Choir is complemented by a jazz/folk trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including voc...  moreA cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for Choir is complemented by a jazz/folk trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including vocal improvisation by three soloists. This piece was featured on the concert program at Musikhögskolan Ingesund on 4 May 2014.  

Artistic Director Erick Lichte leads the men of Chor Leoni, pianist Ken Cormier, and violinist Cameron Wilson in this arrangement by K. Lee Scott of Fauré's beloved work. Recorded live at our March 23, 2013 Chor Leoni & Friends concert at the Chan Cent...  moreArtistic Director Erick Lichte leads the men of Chor Leoni, pianist Ken Cormier, and violinist Cameron Wilson in this arrangement by K. Lee Scott of Fauré's beloved work. Recorded live at our March 23, 2013 Chor Leoni & Friends concert at the Chan Centre for the Performing Arts at UBC, Vancouver. This track is available on the Choir's self-titled CD, Chor Leoni, and is also available on iTunes http://bit.ly/buy_on_iTunes  

Alla Polacca Choir performing Zasło słońce, zasło composed by Szymon Godziemba-Trytek Anna Bednarska - conductor Anna Hop - choreography Piotr Woźniakiewicz - KtVideo Recorded at the Witold Lutosławski Concert Studio in Warsaw, 4 November 2018 ...  moreAlla Polacca Choir performing Zasło słońce, zasło composed by Szymon Godziemba-Trytek Anna Bednarska - conductor Anna Hop - choreography Piotr Woźniakiewicz - KtVideo Recorded at the Witold Lutosławski Concert Studio in Warsaw, 4 November 2018 Chór Alla Polacca Zasło słońce, zasło - Szymon Godziemba-Trytek Anna Bednarska - dyrygent Anna Hop - choreografia Piotr Woźniakiewicz - KtVideo Studio Koncertowe Polskiego Radia im. W. Lutosławskiego 04.12. 2018, godz. 18.00 ,, Mozaika Chóralna” NARODOWE ŚPIEWANIE w Warszawie Narodowe Centrum Kultury Narodowe Forum Muzyki Akademia Chóralna – Śpiewająca Polska  less

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and Music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less