I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se... more
Mar. 14, 2015 Accompanist: Steven Webb http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices
Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about the meaning of Christmas.
The Alla Polacca Children and Youth Choir is an educational endeavor that provides unique musical training experience for children and teenagers. Our choristers' talents and musicality are nurtured, their voices are trained, they are taught correct dictio... more
Composed by William Mathias, transposed and sung by the dwsChorale (www.dwsolo.com) Nowell, nowell. Who is there that singeth so, I am here, Sir Christèmas. Welcome, my lord Sir Christèmas! Welcome to all, both more and less! Come near, come nea... more
Score (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ... more
A traditional Igbo Christmas folk music dramatized by Two fine soloists. Accompanied by the choir to depict the Christmas cheer and joy of the coming of the Son of God to Earth.
Cat.No. TKM818. Extracted from the full Requiem aeternam. Published in the UK by www.timknightmusic.com This recording of the first movement of Requiem aeternam, a nine movement choral work, is from Ablaze records New Choral voices Volume 4 - availabl... more
We are a youth rock choir and we experiment with different arrangements and ways of using our voices and do performances about 3 times a year. It's a lot of fun! We welcome all levels of singers ages 12 thru senior in high school and there is no auditio... more
My Love - a hypnotic and yearning quasi-canon for three equal (alto) voices, with an ostinato guitar motif.