Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

rupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio hernández José Híjar Polo, dire...  morerupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

This jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware tha...  moreThis jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing. The performance here is by the Composer's Choir conducted by Daniel Shaw.  

Choral arrangement of Cole Porter's Let's Do it performed by the dwsChorale (i.e. David Solomons multitracking)

It all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in ...  moreIt all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing "On Ilkla Moor", the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano also gets some sly references to "Sing a song of sixpence" and "Scotland the brave". I sang it in G (ATBB) on this video, to fit my multitrack range, but mixed choir versions are also available on musicaneo: in C (SATB) (fairly high for the sopranos) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196258 and in Bflat (SATB) (fairly low for the basses) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196257  less

heroes (featuring Garrett Gregory) Cool Choir, Friday 23rd June, 2017, Southern Alberta Jubilee Auditorium, Calgary, Alberta, Canada See www.coolchoir.com for more information

Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less

Lovely version of this Disney classic!- First rehearsal...

Angels We Have heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the Choirs at Virginia Wesleyan Colleg...  moreAngels We Have heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the Choirs at Virginia Wesleyan College at https://www.facebook.com/The-Choirs-at-Virginia-Wesleyan-College-1498497363730214/.  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about the meaning of Christmas.