Do you love singing and wish you could do more? Battersea Choral Workshops' theme for 2011 is Tallis to Whitacre. Our workshops take place in the beautiful river side church of St Mary's Battersea. THere you will spend the day under the expert d...  moreDo you love singing and wish you could do more? Battersea Choral Workshops' theme for 2011 is Tallis to Whitacre. Our workshops take place in the beautiful river side church of St Mary's Battersea. THere you will spend the day under the expert direction of Scott Inglis-Kidger and Ghislaine Morgan, top vocal coach. Look at our website and register if you would like to join us.  

Away in a manger Kirkpatrick arr Philip Moore Away in a manger, no crib for a bed, The little lord Jesus Laid down his sweet head. The stars in the bright sky looked down wHere he lay, The little lord Jesus asleep on the hay. The cattle ...  moreAway in a manger Kirkpatrick arr Philip Moore Away in a manger, no crib for a bed, The little lord Jesus Laid down his sweet head. The stars in the bright sky looked down wHere he lay, The little lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little lord Jesus no crying he makes. I love thee, lord Jesus! Look down from the sky, And stay by my side until morning is nigh. Be near me, lord Jesus; I ask thee to stay Close by me for ever and love me, I pray. Bless all the dear Children in thy tender care, And fit us for heaven to live with thee tHere.  less

Wheaton College Men's Glee Club Mary Hopper conductor excerpt from the Choral Showcase Concert Wheaton College Women's Chorale & Men's Glee Club Mary Hopper, conductor Wheaton College Concert Choir John William Trotter, conductor April 17, 2021

Highbridge Voices performs this traditional French folksong, arranged by Donald Patriquin. Mary Clementi, conductor. Devon Joiner, pianist.

JOHN STAINER: THE CRUCIFIXION – new critical edition published by the Royal School of Church Music ‘This is an exciting and important addition to RSCM's catalogue. Authoritatively edited, clearly Laid out, and handsomely presented, this volum...

They all shall sweetly obey thy will: Peace, be still; peace, be still. All knees shall bow and all tongues shall confess the awesome power of God. Whatever our trials may be, the Lord God Jehovah shall calm the troubles and they shall be still and...  moreThey all shall sweetly obey thy will: Peace, be still; peace, be still. All knees shall bow and all tongues shall confess the awesome power of God. Whatever our trials may be, the Lord God Jehovah shall calm the troubles and they shall be still and at peace. - The Musikteers Ensemble Gh @Hope Channel Ghana @3ABN Praise Him @HARMONIOUS CHORALE GHANA @ONE VOICE CHOIR GHANA @His Voice GH @The Tabernacle Choir at Temple Square @VOCES8 @The Sixteen  

Highbridge Voices 2014 Benefit Concert Alec Baldwin, Master of Ceremonies, Melissa Errico, Special Guest, Mary Clementi, Music Director, SunHee Lim, Assistant Music Director, Devon Joiner, Piano, Deborah Booth, Recorder, Spencer Cohen, Cajon

Carefully controlled chorus, confident mature sounding soloists, and that a cappella ending is just sublime! Well performed, Mat Wright and the Barnsley Youth Choir and your faithful band of supporting instrumental players

[Dum transisset] Sabbatum, Maria Magdalene et Maria Jacobi et Salome emerunt aromata, ut venientes ungerent Jesum. Alleluia. [When] the Sabbath [was past], Mary Magdalene and Mary the motHer of James and Salome had bought sweet spices, that th...  more[Dum transisset] Sabbatum, Maria Magdalene et Maria Jacobi et Salome emerunt aromata, ut venientes ungerent Jesum. Alleluia. [When] the Sabbath [was past], Mary Magdalene and Mary the motHer of James and Salome had bought sweet spices, that they might come and anoint Jesus. Alleluia. Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a Gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for wHere ever you go, I will go, and wHere you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a Gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for wHere ever you go, I will go, and wHere you stay, I will stay. Your people will be my people, and your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music Here is contrastingly homophonic and intense. (“WHere you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a descant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less