A choral piece for Choir and Piano, based on quotes attributed to da Vinci. Recorded by the Nettleton High School Madrigals on August 29, 2013.

"There's Something About Those Candles"  is a meaningful Chanukah song available for SATB/Piano and TTB/Piano choir performances as well as for solosits.   This song focuses on how the light of each Chanukah candle can glow within our heart...

As part of the Vocal Art Ensemble's "Inkspell--Choral Music Inspired by Masters of Poetry" concerts in May, 2012, this piece for treble chorus and Piano by Jere Hutchinson sets e.e. cummings' whimsical poem. Our aim was to capture a serious English Boys C...  moreAs part of the Vocal Art Ensemble's "Inkspell--Choral Music Inspired by Masters of Poetry" concerts in May, 2012, this piece for treble chorus and Piano by Jere Hutchinson sets e.e. cummings' whimsical poem. Our aim was to capture a serious English Boys Choir poise while making the most of the poems playful spookiness, so we elicited help from the men of the chorus to try and 'frighten' the women singing.  

PIE JESU - by John Conahan. SATB Piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additio...  morePIE JESU - by John Conahan. SATB Piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.johnconahan.com. (© John Conahan)  

Michelle Mariposa, soprano Alejandro Consolacion, Piano

Alejandro D. Consolacion II, Piano

Kyrie Eleison for treble voices and Piano Ivo Antognini, composer Coro Calicantus is conducted by Mario Fontana Simona Crociani, Piano Live performance April 26, 2013 Chiesa Collegio Papio - Ascona - Switzerland

Arranged for Soprano Solo, SATB Chorus, and Piano by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Music and Words: Public Domain Arrangements and Translations: © Copyright 2021 by Stanley M. Hoffman. ...  moreArranged for Soprano Solo, SATB Chorus, and Piano by Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. Music and Words: Public Domain Arrangements and Translations: © Copyright 2021 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The three missing songs are composed to texts by Langston Hughes and Claude McKay; alphabetically they are titled African Dance (LH), Harlem Dancer (CM), and Misery (LH). Although the texts are in the Public Domain, the German translations by Anna Siemsen that Zemlinsky used are protected in the EU until 2037. Videos including the translations that would be broadcast to the world on a service such as YouTube are forbidden until then. However, those three songs may be performed in the USA until 2037 and worldwide thereafter. The sheet music is available from the arranger. stanley(at)stanleymhoffman.com AVAILABLE EDITIONS • Piano/Vocal Score (soprano solo and Piano; each song is also available separately) • Piano/...    less

Coro las Veredas, director: Enrique Martín. Piano: Paula Mercedes Lozano. Cristina Marín, Flauta. David Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.

Erik Satie's Sarabande No. 1 is one of my favourite Piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a Piano piece ha...  moreErik Satie's Sarabande No. 1 is one of my favourite Piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a Piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. "As dawn breaks" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group ...    less