Performance by Jakarta Festival Chorus, November 17, 2018 Aula Simfonia Jakarta The Shepherd's Lamb Lyrics by Susan Bentall Boersma, Music by Dan Forrest

BRACKENBOROUGH O Nata Lux Ensemble vocal PARA L'ELLES Direction Agnès BLIN Enregistrement octobre 2016 à l'École Municipale des Musiques et de Danse de Montmagny (Val d'Oise) Association "Les Amis de Para L'Elles"

SATB Choir a cappella. Belarusian Capella "Sonorus", conductor - Marina Tretiakova, soloists Natalie Iselenok and Polina Tchaikovskaya. "Богородице Дево, радуйся" для SATB хора а cappella. Белорусская Капелла "Сонорус". Дирижер - Марина Третьякова, соли...  moreSATB Choir a cappella. Belarusian Capella "Sonorus", conductor - Marina Tretiakova, soloists Natalie Iselenok and Polina Tchaikovskaya. "Богородице Дево, радуйся" для SATB хора а cappella. Белорусская Капелла "Сонорус". Дирижер - Марина Третьякова, солисты - Наталья Иселенок и Полина Чайковская.  

This a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consists of Anna Sofie Damsgård (S), Astrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd Christensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fy...  moreThis a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consists of Anna Sofie Damsgård (S), Astrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd Christensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fyhr (B) Camera: Michael Lassen Bruns Video: Dénise Stockmann Location: uKirke @Vesterbro (thank you, Malte Madsen!!) I, Dénise Stockmann, am their choir conductor and vocal arranger. If you want to know more about me and/or my projects, feel free to stop by: F: facebook.com/Stockmann Stage W: stockmannstage.com M: contact@stockmannstage.com  less

Alejandro D. Consolacion II, piano

This is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangeme...  moreThis is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangement and would make a nice change in a carol concert. The vocal parts here are all performed by Matthew Curtis (www.choraltracks.com) This is the mixed choir version (SAATBB) A version for men's voices is also available at http://www.musicaneo.com/sheetmusic/sm-85908_ding_dong_merrily_on_high_for_mixed_choir_or_for_men_s_voices.html#85908  less

"Go Tell It on the Mountain", traditional American spiritual, arr. John Gardener. Recorded live on December 15, 2013, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir o...  more"Go Tell It on the Mountain", traditional American spiritual, arr. John Gardener. Recorded live on December 15, 2013, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese.  

Words and music by Carly Simon Arrangemed by Craig Hella Johnson Performed by Universitair Koor Antwerpen at their Christmas Concert "Praise The Chord" on December 15, 2015.

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This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less