Te Deum Chamber Choir www.te-deum.org Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte...  ONE';">moreONE;">Te Deum Chamber Choir www.te-deum.org Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: Joanna Ehlers, Abby Helt, Nanette Kraus, Ann Lewis, Hilary Morton, Michaela Schenkel, Rosie Smith Tenors: Tom Assel, Josh Donaldson, Micah Horton, Jeff Jasperson, Colin Riley, Andrew Wilson Basses: Kyle Chamberlin, Andrew Cunard, Jonathan Daniel, Jon Duncan, Ken Foley, Nick Gillock 1. Blessed are those who mourn, for they shall be comforted. 2. Blessed are the peacemakers, for they shall be called sons of God. 3. Blessed are those who hunger and thirst for righteousness, for they shall be satisfied. 4. Blessed are those who are persecuted for righteousness’ sake, for theirs is the kingdom of heaven. 5. Blessed are the pure in heart, for they shall see God. 6. Blessed are the merciful, for they shall receive mercy.  ONE';">less

Ad Libitum Choir represents the new faces over the coral music in Puerto Rico. Is a non profit organization that provides the resources and skills as necessary to perform great and marvelous choral music.

IV. 為了你無上的光榮 Propter magnam gloriam tuam 第四段只有六小節，呈現如過門似的垂直和聲，像是第五段的引言，有如橋樑般銜接至第五 段，屬於和聲式的複音織體。兩段之間不間斷地唱出，引導至下一段落。 V.感謝你 Gratias agimus tibi 由第四段戲劇性地進入此段卡農式的賦格對位音樂，由女高音開始呈現主題，接著各聲部以 主題模仿方式進入，有一字對一音的半朗誦半歌唱的演唱形式，也有一字對多音的花腔唱法 ，結尾以皮卡第三度結束在E大調，使整使...  ONE';">moreONE;">IV. 為了你無上的光榮 Propter magnam gloriam tuam 第四段只有六小節，呈現如過門似的垂直和聲，像是第五段的引言，有如橋樑般銜接至第五 段，屬於和聲式的複音織體。兩段之間不間斷地唱出，引導至下一段落。 V.感謝你 Gratias agimus tibi 由第四段戲劇性地進入此段卡農式的賦格對位音樂，由女高音開始呈現主題，接著各聲部以 主題模仿方式進入，有一字對一音的半朗誦半歌唱的演唱形式，也有一字對多音的花腔唱法 ，結尾以皮卡第三度結束在E大調，使整使整段音樂高潮迭起，充滿了頌讚的力量及心意。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化中心至德堂  

12th International Chamber Choir Competition Marktoberdorf, Germany, www.modfestivals.org; June 10-15, 2011; Live recording; This is a service of Choral Festival Network www.choralfestivalnetwork.org; Concert St. Andreas Nesselwang a June 12

Short excerpts from Ola Gjeilo's 32 min. 'Sunrise Mass' for Choir and string orchestra (score and parts now available on demand from Walton Music/full recording available on iTunes), accompanied by beautiful images related to the themes of each movement: ...  ONE';">moreONE;">Short excerpts from Ola Gjeilo's 32 min. 'Sunrise Mass' for Choir and string orchestra (score and parts now available on demand from Walton Music/full recording available on iTunes), accompanied by beautiful images related to the themes of each movement: 1. The Spheres (Kyrie) 2. Sunrise (Gloria) 3. The City (Credo) 4. Identity & The Ground (Sanctus & Agnus Dei) Video by 2 Chairs Design Photo by Anette Kvikstad, Thomas H. Barber, iStockphoto.com Performed by Majorstua Chamber Choir, NOVA, 24 strings and Tore Erik Mohn, cond. (from live premiere)  ONE';">less

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 斯維林克（Jan Pieterszoon Sweelinck，1562-1621），是文藝復興末、巴洛克初期重要的荷蘭作曲家，在教堂任職管風琴師的他，除了譜寫眾多鍵盤作品，奠定風琴演奏技巧之外，亦寫下超過250首的聲樂作品。五聲部經文歌〈皆來頌〉（Venite exultemus Domino）收錄於1619年出版的《聖歌集》（CantiONEssacrae），歌詞為拉丁文聖經詩篇95篇1-3...  ONE';">moreONE;">【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 斯維林克（Jan Pieterszoon Sweelinck，1562-1621），是文藝復興末、巴洛克初期重要的荷蘭作曲家，在教堂任職管風琴師的他，除了譜寫眾多鍵盤作品，奠定風琴演奏技巧之外，亦寫下超過250首的聲樂作品。五聲部經文歌〈皆來頌〉（Venite exultemus Domino）收錄於1619年出版的《聖歌集》（CantiONEssacrae），歌詞為拉丁文聖經詩篇95篇1-3節，跳躍似的旋律動機在聲部間交織，表現歌詞中感恩讚美的歡欣鼓舞。原編制有數字低音伴奏，今晚將以無伴奏形式演唱。 Venite,exsultemus Domino; jubilemusDeosalutarinostro; praeoccupemusfaciemejus in confessiONE， et in psalmisjubilemusei: quoniam Deus magnus Dominus， etrexmagnus super omnesdeos. 來啊，我們要向耶和華歌唱， 向拯救我們的磐石歡呼！ 我們要來感謝他， 用詩歌向他歡呼！ 因耶和華為大神， 為大王，超乎萬神之上。  ONE';">less

Schola Cantorum, 12 May 2012, Endler Hall Stellenbosch - The academic Chamber Choir of the Department of Music of Stellenbosch University, South Africa

A virtuosic setting by Polish composer Michał Ziółkowski (b. 1991) of this Goliardic ode to drinking, 'popularised by Carl Orff as ONE of the movements in his 'Carmina Burana'. This is the encore performance from Cuore's 'Mirabilia' concert on 27th Ap...  ONE';">moreONE;">A virtuosic setting by Polish composer Michał Ziółkowski (b. 1991) of this Goliardic ode to drinking, 'popularised by Carl Orff as ONE of the movements in his 'Carmina Burana'. This is the encore performance from Cuore's 'Mirabilia' concert on 27th April 2024, at which we were privileged to give the Irish premiere. 'In taberna quando sumus' (‘when we are in the tavern’) begins as a militaristic account of the immoral acts of the inebriated crowd, and the march soon descends into anarchy with a list of merrymakers joining in the mischief: included are mistress, master, priest, pauper, men, women, white, black, the Pope, old ladies, mothers, children, merchants, Christians, the smart, and the lazy. The composer writes: “In my imagination, the piece is a fusion of primal energy, irony, and dark grotesque, envisioning an ecstatic celebration akin to a lively party at Bacchus’ house.”. He fuses percussive lyrics, energetic rhythms and sometimes almost drunken modulations to capture this raucous mood.  ONE';">less