"Exsurge Domine" is a male vocal Ensemble performing sacred music, monodic and polyphonic, from Middle Age. It's conducted by its founder, Enrico Correggia.

Actuación en el Ilustre Colegio de Médicos de Madrid el 26 de mayo de 2013. Heia Viri - Michael Mcglynn

Perteneciente al 8º libro de madrigales de Claudio Monteverdi, grabación en directo por A5 vocal Ensemble el 29 de enero de 2022, en Espacio Turina (Sevilla).

Concerto do 23 de marzo de 2018 no Auditorio Mar de Vigo, dentro da tempada 2017-18 da Orquestra Vigo 430, xunto co Coro de Cámara Rías Baixas (dirixido por Bruno Díaz) e baixo a batuta de Vicent Alberola

Click here if you love vocal Jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multit...  moreClick here if you love vocal Jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 So this is a song that my Jazz Ensemble recently sung at competition. Jazz doesn't really fit my voice very well, but that doesn't change the fact that I'm in love with it. I also felt like this song would be the perfect opportunity to prove I don't use pitch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this with everybody you know. Like I said, no pitch correction was used (or will ever be used). This will most likely be the first and last vocal Jazz piece I d...    less

Music by Ian Assersohn, text by Wilfred Owen. Performed by The Pinnacle Ensemble conducted by Michael Waldron

Elinor Ensemble https://elinorEnsemble.eu

El Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra CANTIQUE DE JEAN RACINE de Gabriel Fauré, bajo la dirección de Sergio Asián, en versión con orquesta de cuerdas, vientos, y órgano, el 19 de noviembre de 2023, en la Parroquia de San Jos...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra CANTIQUE DE JEAN RACINE de Gabriel Fauré, bajo la dirección de Sergio Asián, en versión con orquesta de cuerdas, vientos, y órgano, el 19 de noviembre de 2023, en la Parroquia de San José (Coria del Río) durante el Gran Concierto Conmemorativo del XXX Aniversario Fundacional del Coro "Santa María". Verbe égal au Très-Haut, notre unique espérance, Jour éternel de la terre et des cieux, De la paisible nuit nous rompons le silence: Divin sauveur, jette sur nous les yeux. Répands sur nous le feu de ta grâce puissante; Que tout l'enfer fuie au son de ta voix; Dissipe ce sommeil d'une âme languissante Qui la conduit à l'oubli de tes lois! O Christ! sois favorable à ce peuple fidèle, Pour te bénir maintenant assemblé; Reçois les chants qu'il offre à ta gloire immortelle, Et de tes dons qu'il retourne comblé.  less

Commemorating the 70th anniversary of Hugo Distler's death, two successful vocal Ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five yo...  moreCommemorating the 70th anniversary of Hugo Distler's death, two successful vocal Ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five young gentlemen of the Ensemble Nobiles represent some of the highlights from Distler's choral oeuvre: the Jahrkreis op. 5, and the Geistliche Chormusik op. 12. One of the composer's best-known works, the Totentanz op. 12 no. 2, stands at the heart of this disc. The fourteen motets for Eternity Sunday contained in the Totentanz op. 12 no. 2 were set to music by Hugo Distler and form the work's musical part. Distler accompanies the motets with non-musical verses that narrate a dialogue between death and his numerous victims.While on the present recording some of the victims' roles are spoken by the singers themselves, Heinz-Martin Benecke lends death his charismatic voice. The Totentanztopos is known especially through its pictorial representations of death'...    less

Hace frio, David Azurza. Coro las Veredas. I Seminario de Canto Coral, dirigido por Basilio Astulez. Junio de 2011